Cyrus Nabipoor

Rebuilding a State of the Arts

ArtsWatch Weekly: All around Oregon, the cultural Covid freeze of 2020 begins to thaw. Will it continue?

WE’RE LIVING IN CURIOUS TIMES. Things thaw, things freeze up again. Things close, things open. Vaccines are available, but good luck getting a shot (let alone two). One day it’s snow, the next day it’s spring. People stay home, people flock to reopened restaurants. Schools start up, state Senate Republicans walk out. The national death count soars above half a million as rates of infection taper off. And, as I type this late Wednesday morning, here comes the sun. (Update Thursday morning: There it goes again.)

Here, too, comes a gradual revival of Oregon’s cultural life, in greater Portland and, hearteningly, around the state. Sometimes things look almost the way they used to look. Sometimes everything’s virtual: art exhibitions viewed online; concerts streamed from musicians’ living rooms to listeners’ living rooms; dance and theater via Vimeo or Zoom. Sometimes it’s a hybrid of virtual and carefully spaced live action. And more and more, things are beginning to happen in real space and real time, although with heightened restrictions on distancing, audience size (think small), and safety precautions (think masks and more).

***

Virginia Darcé (born Portland, Oregon, 1910; died Los Angeles, California, 1985), “The
Market,” 1938, tempera on board, 22 ½ x 30 ½ inches, Portland Art Museum, Portland,
Oregon, Courtesy of the Fine Arts Collection, US General Services Administration, New
Deal Art Project, L45.3.2
Marwin Begaye (Diné, born 1970), “Columbia River Custodian,” 2018, ed. 18, eight-color lithograph, 28.25 x 22.25 inches, collection of the Crow’s Shadow Institute of the Arts, CSP18-101.

In Salem, the big news of the week is that the Hallie Ford Museum of Art reopens for visitors today – Thursday, Feb. 25 – with a particularly attractive lineup of exhibits (and virtual online tours on its web site if you can’t or won’t visit in person). It’s not entirely like the old days: You can’t just walk up and buy a ticket. The number of people inside the museum at any one time will be limited, and you’ll have to make a reservation from the museum web site (link above) for timed entry. But the museum will be open Tuesdays through Saturdays, giving you plenty of options.

Continues…

Listening back 2020: Oregon recordings from a fraught year

Spotlighting a last batch of 2020 Oregon recordings

I know the last thing many of us want to do is revisit 2020. But we can’t let it slip away without spotlighting one final batch of musical recommendations gleaned from the many recordings Oregon musicians released last year. Some explicitly respond to the crises that plagued what ArtsWatch’s Bob Hicks calls “The Year That Should Not Speak Its Name.” Others were made earlier and released last year. Whether soothing or invigorating, they’re all worth hearing even after the year they appeared.

With most Oregon music happening on our home screens and speakers rather than stages last year, we’ve been devoting more pixels to recordings than ever. This is the last of several recording roundups explicitly devoted to last year’s Oregon sounds, but our antennae are already a-quiver over some stimulating sounds already emanating from 2021, so stay tuned for more roundups. And if you enjoy this music, please help make sure Oregon musicians can continue to create it by buying or gifting it. Bandcamp passes 100 percent of proceeds from purchases made on the first Friday of each month to the artists. 


LISTENING BACK: UNSPEAKABLE 2020


Her Own Wings–The Music Of Gabriela Lena Frank

Although this is California music, it was recorded by Oregon musicians in the lovely acoustic of a wine barrel room during composer Gabriela Lena Frank’s residency at the Willamette Valley Chamber Music Festival. She’s also worked with Portland’s Third Angle New Music. And of course, its title is our state motto.

Continues…