dana marsh

Trinity Cathedral Choirs and Portland Baroque Orchestra: Christmas feast

German baroque cantatas highlight Trinity's annual Christmas concert and wassail party

By BRUCE BROWNE

Weihnachtskonzert (Christmas Concert) at Portland’s Trinity Episcopal Church this past Saturday presented a Christmas feast, delicately layered with the texts, sounds and spirit of the season. The perfectly palindromic programming (A/B/b/B/A) made a kind of German Baroque sandwich, with cantatas of savory Bach bread on the outside, and lusty Buxtehude meat inside, with a sweet/tangy relish of a shorter Buxtehude organ piece slathered into the middle.

Dana Marsh conducted Portland Baroque Orchestra and Trinity Cathedral Choir. Photo: Wade Swearingen.

The menu’s main ingredient was the 4th century Ambrosian chant melody “Veni Redemptor Gentium” (Come Holy Ghost), a melody used by composers from the 17th century (Praetorius and Schutz) to the 20th (Hindemith and Penderecki). Bach’s settings of this melody appeared in the first Advent cantata of the evening, as Nun komm der Heiden Heiland” (Now come, Saviour of the heathens, BWV 61) and later in the last, Schwingt freudig euch empor” (Soar joyfully upwards to the stars, BWV 36). This dominant musical theme, “the coming of the spirit” was surely part of Trinity guest director Dana Marsh’s architectural vision for the evening.

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