Dance review: The gender dynamics in OBT’s Man/Woman

By HEATHER WISNER Questioning gender politics in the tradition-minded and competitive world of ballet “can feel particularly risky—both emotionally and career wise,” former New York City Ballet principal dancer Wendy Whelan told The New York Times in January. She was speaking after longtime NYCB artistic director Peter Martins retired from the company following accusations of […]

DanceWatch Weekly: Kevin Irving on Man/Woman

Man/Woman, Oregon Ballet Theatre’s program of five ballets that juxtapose all-female ballets and all-male ballets to explore gender stereotypes, opens tonight. The program includes The Dying Swan, a solo for a female dancer by Michel Fokine; a new commissioned work called Fluidity Of Steel by Brooklyn-based Darrell Grand Moultrie for all men; Left Unsaid by […]