David Pomeroy

‘Aida’ and ‘Rigoletto’: lush Verdi

Portland and Seattle productions' opulence and timelessness overcome oft-staged operas’ overfamiliarity

Two stunning Giuseppe Verdi operas in one West Coast weekend are a treat, unless grandeur is not your thing.

Portland Opera’s Rigoletto, which opened May 4 at Keller Auditorium and continues with performances on May 10 and 12, and Seattle Opera’s Aida, with a two-week run through May 19 at Seattle’s McCaw Hall, were full-blown triumphs. If we’ve seen and heard them time and time again, and though they’re weighted down with sexism and un-fluid gender roles, as the trendy phrase goes, these productions showed frequently staged operas can remain exciting.

Seattle Opera presents Verdi’s ‘Aida’ featuring design by the street and studio artist RETNA. Photo: Philip Newton.

Remember, this music, written by Italians, was first performed in the mid-19th century. Today, the operas can inspire us to discuss and sort out sex roles and gender traps more honestly than in the old days. If we’re willing to suspend imagination, they can challenge rather than frustrate us.

Continues…