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Music News & Notes: Operatic evolutions

Opera transitions, jazz laurels, music education, and other news in Oregon music

We went months without rounding up Oregon music news before last month’s N&N — and now, so much keeps happening that we need to do it again! Remember that we often slip news about Oregon music in Bob Hicks’s weekly newsletter and on our Facebook page, and we’re always looking for news about Oregon arts to share with our readers, so please keep us posted.

Opera Theater Oregon’s next stage

Opera Theater Oregon Producing Artistic Director Katie Taylor announced that she’s tossing the keys to the next generation of Oregon upstart opera makers: a collective including composers Justin Ralls and Anne Polyakov, baritone Nicholas Meyer and new music advocate Lisa Lipton. OTO Music Director Erica Melton and Film Director Jen Wechsler will remain with the company. Taylor approached Ralls about assuming leadership of the Portland indie opera company’s during development of an upcoming OTO production of his opera, Two Yosemites, opening this summer.

Meyer (l) and Ralls at a Portland preview recital for Ralls’s upcoming opera, ‘Two Yosemites,’ co-produced by Opera Theater Oregon.

The new leaders intend to “step up to meet the demands of reinvigorating opera in today’s artistic climate,” their press announcement declares. “With fresh ideas, relevant social commentary, and a love of accessible chamber music these new provocateurs plan to make their first opera with OTO a new and engaging experience geared to make an impact. Their first performance will feature a new outdoor opera in late summer. Look out for their newsletters, updates, and performance dates in the next few weeks.”

The transition marks the next step in OTO’s evolution since its 2005 founding by Angela Niederloh and Amy Russell. Under Taylor’s two terms of leadership (2006 to 2011 and 2015–17), the company enlivened the Portland music scene by producing or co-sponsoring visionary, often playful productions of both classic and new operas, often with inventive arrangements and scripts by Taylor (who’ll now turn to finishing up a book and short experimental opers in progress) and Melton. Stay tuned to ArtsWatch for more information on OTO’s new direction. With relatively new arrivals Cult of Orpheus, Ping & Woof, Opera on Tap, Opera Wildwood Concert Series, and (as we’ve noted in previous stories) new directions for Portland State University’s opera program, Eugene Opera (see below) and Portland Opera, it’s an exciting time for Oregon opera.

Grant prize winner

The national Jazz Journalist Association has named Portland pianist, composer, and professor Darrell Grant as one of its 2017 Jazz Heroes, an award given to people who further the art form of jazz in their communities. Longtime Portland jazz writer Lynn Darroch will present Grant with the award at the Portland Art Museum on April 30 — International Jazz Day. The event includes PDX Jazz’s Incredible Journey of Jazz program and a performance by Grant’s MJ New Quartet, which is touring the Northwest this month.

Pianist and composer Darrell Grant.

Q&A

Speaking of one of Oregon’s most valuable musicians, you can read a fascinating interview with Grant in Chamber Music America magazine. And there’s another informative new interview with a Portland composer, Dan Senn, in asymmetry music magazine, which will particularly interest fans of the influential Fluxus movement of the 1960s. And while we’re linking to good stories about Oregon music, check out long-time Portland classical music writer James Bash’s comprehensive overview of places to catch classical music for little or no cost — a welcome antidote to a problem ArtsWatch has long bemoaned.

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