Drea Frost

‘Au Naturel’: Art laid bare

Three North Coast artists are included in an Astoria show celebrating a universal: "We all necessarily inhabit our own bodies"

The first time Drea Frost walked into a college art class, it was not as an artist but as a model for a nude-drawing class. She did it for the money, but wound up with so much more. Now, Frost is part of the exhibit Au Naturel: The Nude in the 21st Century – this time as a featured artist. She’s one of three North Coast artists chosen to display their work.

The 14th annual international juried exhibit is on display through March 12 in Clatsop Community College’s Royal Nebeker Art Gallery. A reception is set for 6 p.m. Feb. 20 in the Astoria gallery.

Featuring 44 pieces by 32 artists from 14 states and Canada, the exhibit drew more than 500 submissions. Portland artist Henk Pander selected the art to be included in the show. In his juror’s statement, Pander wrote that he chose work that reflects “quality, originality, power, humanism and lack of cliché.”

“Finding a Way Through Fear,” by Drea Frost of Cannon Beach (acrylic on board, 24 by 36 inches) is one of 44 pieces in this year’s “Au Naturel: The Nude in the 21st Century” show.

Founder and CCC art instructor Kristin Shauck, who was featured recently in ArtsWatch’s Vision 2020 series, conceived of the show as a way to bring original works by contemporary practicing artists to campus for students to study for an extended period, she said.

The show, she said, is meant to inspire not only art students, particularly in the life-drawing class, but also a wider audience, especially practicing figurative artists in the area’s vibrant arts community. “This show celebrates the age-old tradition of representing the nude human form,” she added, “which is a subject that artists have been drawn to since the dawn of time because it resonates with each and every one of us as humans — we all necessarily inhabit our own bodies.”

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Art on the Road: Au Naturel, Astoria

The Royal Nebeker Art Gallery's evocation of the contemporary nude in international art reveals the human, unadorned

Story and photographs by FRIDERIKE HEUER

We have this thing in our household about language. Well, someone has a thing in our house about my language – more specifically, my usage of the verb to love as applied to something other than a human being. Don’t devalue such a strong emotion, I am told, by wasting it on things, not persons! (That from the same Beloved who still despises split infinitives…)

Jay Senetchko, Sleepwatcher at the End, oil on wallpaper, detail

I can’t help it. Here I go again: I love this state. I love finding out new, beautiful things about it, even after 33 years since our arrival from New York City. You turn around and face surprises, in the natural as often as in the cultural landscape. Case in point was a recent visit to Astoria. I have written here before about this small former fishing and cannery town at the mouth of the Columbia river. I’ve described the increasingly vibrant art community, the diversity of what is on offer, from music to photography, from the perspective of a visitor as well as from that of an exhibiting artist.

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