Erich Korngold

MusicWatch Weekly: Hot and cold running summer

Mandolins, saxophones, loopy music, and jazz fusion

Portland summers have a little something for everyone. If you like your summers dry, hot, and aggressive, you can easily get your fill of blinding, baking, oppressively sweaty sunpocalypse. If you like your summers bitter, cloudy, soggy, and unseasonably cold—well, you’ll get your fill of that too. And hey, if you like perfect summers full of warm, friendly blue skies and cool, refreshing breezes chasing fluffy clouds across the golden horizon….well, you live here. You know Portland’s got you covered for that kind of summer too.

The music here is much the same. Just this week we’ve got everything from massed mandolins and stacked saxophones to jazz of all stripes, a lot more Chamber Music Northwest, and digitally looped harp, voice, violin, and cello. Read on to get your weekly forecast—and remember your sunscreen!

This Weekend

If outdoor listening is your bag, you’ve got two good options in Southeast Portland this weekend. The two-dozen strong Oregon Mandolin Orchestra—“mandolins, mandolas, mandocellos and crazy-huge mandobass”—performs at 2 p.m. on Saturday July 13 in Westmoreland Park, as part of the all-day Portland Picnic Wine Tasting Festival. On Sunday, Portland’s favorite saxophone quartet—the majestic Quadraphonnes, led by Mary-Sue Tobin—perform in Western Pacific University’s free “Summer Concerts & Movies In the Park” series. The band plays at 6:30. The surprisingly entertaining blockbuster Aquaman screens afterward, with free popcorn. Keep an eye out for Dolph Lundgren’s astonishing beard!

Portland saxophone quartet Quadraphonnes.

Meanwhile, CMNW is cooking right along with unstoppable verve and ferocity. Just today, at the third New@Noon concert, we heard the Miró Quartet turn in a very lovely performance of Caroline Shaw’s Entr’Acte, and you’ll read all about how their interpretation varied from Calidore’s in a couple weeks, when we all stop going to concerts and finally have time to write about them. For now, I can only tell you that their excellent playing and lively vibes got me all excited for their two appearances this weekend.

On Saturday July 13, Miró finishes their complete Beethoven Opus 18 mini-cycle, begun last Thursday. This will be the good half of old Ludwig van’s early quartet set, with its operatic C minor and its serendipitously transcendent Bb major. Then, Sunday July 14, they’re joined by pianist Gilles Vonsattel, who today gave the only performance of Rzewski that made any kind of sense to me (more on that later as well). Vonsattel and Miró will perform Mendelssohn, Brahms, and the Schumanns.

The Territory and beyond

I can’t even imagine how local jazz composer Darrell Grant must feel about competing with the Sun Ra Arkestra next week. Grant’s The Territory has a two-day run at CMNW (Monday at Reed, Tuesday at PSU), while the Arkestra plays those same two nights at the historic Hollywood Theatre on Southeast Sandy. Although both artists fall broadly under the heading of “jazz,” stylistically and thematically they could hardly be more different. One is as local as it gets, a suite about the Pacific Northwest performed by a jazz great who’s called Portland home since the 90s. The other is—if you believe the hype—literally from outer space.

Continues…