erin jane laroue

MusicWatch Monthly: Mayday!

Strikes, unions, and the unpaid labors of love

Today we’re going to talk about one of the oldest musical traditions in the world: getting screwed. But first, we’d like to invite you to open a new tab and go cancel your account with Online Shopping for Electronics, Apparel, Computers, Books, DVDs & more, Inc. If you can’t bring yourself to do that (but why not?), you should at least boycott them today, along with all the other government-sized corporations that can’t be bothered to attend to their employees’ needs. The virtual picket line is the easiest to cross–don’t give in, dear reader.

And now, here’s Oregon Symphony principal cellist Nancy Ives with a Sarabande:

Alrighty, let’s talk about Music and Labor. We’ll start with Portland Musicians Union Local 99 and their page of resources for musicians. These folks (led by trombonist Bruce Fife) are a part of the American Federation of Musicians, who in 1942-44 prosecuted the longest entertainment strike in modern history. The strike itself is worth looking into, and you can do that right here (and read about the 1948 follow-up here), but there’s one specific part of the story we’d like to call attention to on this unusually bizarre International Workers’ Day: the divide-and-conquer part.

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MusicWatch Weekly: Happy accidents

Music editor misses Glass opera, amplified strings, and the end of CMNW

Allow me to get personal for a moment. You, my dear readers, know that I’m involved in this vibrant local music scene I’ve been writing about every week for the last three years. As a student at Portland State University, I walk past area composers Kenji Bunch and Bonnie Miksch in the hallways about once a week. Until recently, I sat on the board of Cascadia Composers (about whom you can read all about right here in Maria “Arts Bitch” Choban’s detective hunt). I play drums in a surf punk band and gongs in a Balinese gamelan, and most of my friends and acquaintances are musicians. It’s inevitable that your ever-busy music editor will occasionally find himself becoming Part of the Story.

Music editor Matt Andrews becomes Part of the Story. Photo by Matias Brecher.

So this week I’m going to lean into that pretty hard and tell you all about my brother’s band. I’ll also explain why you have to go to a bunch of wonderful local concerts in my stead this weekend, beautiful shows I’ve been waiting all year for, all piling up here at the bottom of July where I have to miss them because I’ll be spending the next five days packing for a six-week trip to Bali.

But first, a case for Mozart.

To garden or not to garden

Portland Opera earns its place in the city’s music scene for one reason: they pour almost as much time, effort, talent, and money into productions of operas by living U.S. composers as they put into the classics. (Honestly that’s a pretty generous “almost,” but they do alright for an arts organization of their heft. Oregon Symphony does better, but they also do more.)

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