eugene noise fest

Noise Fest 2018 preview: art of noise

Eugene-based festival extends a century-long experimental music tradition

By DANIEL HEILA

Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. — John Cage.

On Saturday, Eugene’s WOW Hall will tremble, throb, and reverberate with the tweeter-searing, woofer-warping sounds of Noise Fest 2018. The festival, which resurrects itself every year or so, is a day of genre-stretching, noise-based performances that run the gamut from glitch (technology pushed to its limits) to noise pop, No Wave to industrial and post-digital “organized sound” (Edgar Varèse’s definition of his music).

The festival is the brainchild of designer, artist, and noise musician Don Haugen, who started it in the early 2000s when he was associated with the newly formed Downtown Initiative for the Visual Arts (DIVA). The large gallery space at DIVA (now a Buy 2 convenience store) was the scene of endlessly creative expressions of noise in all its guises, including virtual silence, violent caterwauling, circuit-bent sweetness, and rich feedback decomposition.

klowd and Don Haugen at Noise Fest.

A couple of memorable acts from the first festival come to mind: Portland artist Daniel Menche’s foundation-shaking, additive, minimalistic performance, using only a contact mic at his throat, a few foot-pedal effects, and a giant speaker cabinet. Menche ended his set by doing a backward flip onto his bank of foot pedals which he then beat into silence with his fists (he happened to have a fractured collarbone at the time). And IDX1274, a dude dressed in work clothes and a snap back, who dropped an active microphone onto a steel plate and then attacked it with a power grinder.

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MusicWatch Weekly: hot summer jazz

Smoke gets in your eyes, jazz gets in your ears this week as summer festivals continue despite the blazes

What began as an informal neighborhood musical soiree has blossomed into one of Portland’s jazz treasures. The fifth annual Montavilla Jazz Festival  at Portland Metro Arts, 9003 SE Stark, is headlined by the Grammy-nominated team of primo pianist Randy Porter’s Trio with jazz singing living legend Nancy King, performing the music from their recent Grammy-finalist album featuring Cole Porter tunes and more. The lyrical jazz duo of flugelhornist Dmitri Matheny and pianist Darrell Grant also reunites after too long a break, co-leading a quartet in new chamber jazz compositions.

Maybe the most intriguing act on the program was inspired by Tamolitch Pool on the McKenzie River near Blue River. One of our area’s most magnificent natural spaces, its allure inspired Salem-based composer-pianist James Miley’s evocative, ambitious new Watershed Suite, which Portland Jazz Composers Ensemble performs at Montavilla and at a free show Thursday at (appropriately) Springfield’s Roaring Rapids. Miley, a Willamette University music prof who directs Willamette Jazz Collective, combines classical and jazz influences in a multifaceted work that translates the complex beauty Oregon’s watersheds, including the mighty Columbia River and Klamath Basin National Wildlife Refuge, into music. One of the state’s most valuable music institutions, PJCE features top Portland area performers and also continuously nurtures both performances and recordings of new, original jazz music compositions some of Oregon’s finest emerging and accomplished musicians.

Portland Jazz Composers Ensemble performs at this weekend’s Montavilla Jazz Festival.

Other performers constitute an all-star lineup of Portland jazz performers leading expert ensembles, including national award winning pianist/organist/drummer/trumpeter George Colligan’s fun, multigenerational new electric trio Other Barry and guitar demon Ryan Meagher’s Evil Twin, both celebrating cool new releases on PJCE’s label that you can hear at the links above. Erstwhile Portlander Nicole Glover returns from New York to jam with local greats, and the festival also includes omnipresent drummer Alan Jones, saxophonist Tim Willcox, Christopher Brown, jazz/funk trumpet star Farnell Newton, bassist Shao Way Wu, and sets featuring some of the top improviser/composer/performers from PJCE and Creative Music Guild.

Nicole Glover performs at Montavilla Jazz Festival. Photo: Diaz Duran.

Tonight, Roaring Rapids also features Bossa PDX, with Portland jazz pianist/singer Kerry Politzer, Colligan (who happens to be her spouse) on drums, sax titan Joe Manis, guitarist Enzo Irace (who shreds in Other Barry) and bassist Damian Erskine playing new arrangements of Brazilian classics. And there’s modern chamber jazz tonight in Portland, too, with Simone Baron’s piano trio in an intimate house concert at Casa Della Zisa, 4624 NE Fremont St.

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