first friday

May is MFA season Gallery Guide

MFA exhibitions around town, Kyle Simon at the Museum of Modern Art and more...

May is MFA exhibition season here in Portland, and the University of Oregon and the Oregon College of Art and Craft are out in full force. Between the two institutions they fill four galleries: White Box, Disjecta, Upfor, and PDX Contemporary.

MFA exhibitions are difficult to curate and difficult to write about because while we want to find something in common between these artists who have been living and working together for years now, there very often isn’t beyond that fact and that they’re all in the same room together. And that’s a good thing because if they were all similar it would have meant their creative vision was subsumed by the group experience, when what they attended the program for is the opportunity to refine their individuality.

I recommend you go to these exhibitions to see what kind of art is coming out of these programs and if you like it. Take the curatorial essays with a grain of salt but do read them. Like an iceberg, a great deal of the artistic process is beyond our view, and these exhibitions reveal a great deal that we might not otherwise see. It’s the coming months and years that will make or break these artists’ careers and the fun is watching their trajectories.

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White box second yearWhite Box – The eight master of fine art graduate students in their second year of candidacy share “an interest in the constructed environment” according to Megan Pounds who wrote the catalog essay, “which naturally manifests itself differently in every practice.” Either the viewer enters an unfolding narrative, or they finds themselves immersed in an environment constructed by the artist. I believe this means there will be some interesting installation work in this exhibition. The artists are Anya Dikareva, Summer Gray, Krista Heinitz, Steven Joshlin, Daniel P. Lopez, Sarah Mikenis, Stephen Nachtigall, and Rachel Widomski. First Thursday Opening Reception, May 7 from 5:00 – 7:00 pm.

 

Disjecta MFA

Disjecta – The culminating work of ten candidates for the master of fine arts program at the University of Oregon are exhibited without “strict physical boundaries demarcating the end of one artist’s work and the beginning of another’s in this exhibition.” Translation: don’t expect wall labels, but look forward to a map of the exhibition instead. Christie Hajela also discuss the “Derridean conception of différance” in her catalog essay for the show. The artists are Farhad Bahram, Fei Chen, Matt Christy, Alex Krajkowski, Anne Magratten, Andrew Oslovar, Brandon Siscoe, Megan St. Clair, John Tolles, and Jessie Rose Vala. Opening reception Friday, May 8 from 6:00 – 9:00 pm.

 

Through The Wind Shield by Morgan Buck, 2015; muslin, acrylic, organza, wire mesh, and pins; 85 x 70 x 48 inches. Courtesy the artist and OCAC. Photo by Jason Horvath.

Through The Wind Shield by Morgan Buck, 2015; muslin, acrylic, organza, wire mesh, and pins; 85 x 70 x 48 inches. Courtesy the artist and OCAC. Photo by Jason Horvath.

Upfor and PDX ContemporaryWITH/AND, the Oregon College of Art and Craft’s inaugural Thesis Exhibition of the MFA in Craft. “With” implies merging (coffee with cream) while “And” conveys a quality of autonomous association (salt and pepper). WITH/AND explores the intersectional nature of Art and Craft, revealing a space where ill-defined boundaries touch or blur. Featuring work by Amanda Beekhuizen, Brittany Britton, Morgan Buck, Daniel Harris, Megan Harris, Jason Horvath, Colin Kippen, Nicole McCormick and Amy Turnbull. Opening reception on Friday, May 15 from 6:00 to 8:00pm. Through May 27.

 

Kyle Simon at MoMAMuseum of Modern Art – While participating in a residency in the south of France, Kyle Simon became intrigued by the network of archaeological cave-sites in the surrounding areas. The image of cave exploration took root in his psyche, and developed into an exhibition, The Catacombs. Inspired by archaeoacoustics, the study of sound as a methodological approach in archaeology, Simon explores the translation of vibrations into sound, and acoustic content contained in ancient artifacts. The centerpiece of the show is a machine built by the artist to record sound waves onto ceramic objects. Opening reception Friday May 8 at 8pm. Through June 20.

 

An installation of Willem Oorebeek’s Blackouts, as documented in the newspaper, De Witte Raaf.

An installation of Willem Oorebeek’s Blackouts, as documented in the newspaper, De Witte Raaf.

Yale Union – Closing out the month is the first solo exhibition in the United States of work by Willem Oorebeek. The artist reflects on the representation of the human figure in The Vertical Club by cutting out certain personalities from print media, re-printing them lithographically at warped scale, and pasting directly onto gallery walls. Meanwhile in BLACKOUT, he overprints existing publicity images, covers, and pages from magazines and newspapers, with a coat of black lithographic ink. This ink makes the image only visible when the light on the black surface is seen from a particular angle. The suppression of an image’s function or look contributes to making these ubiquitous images more visible, so that we look with greater attention. Opening reception Saturday, May 30. Through July 19.

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!

Spring has Sprung Gallery Guide

April is Portland Photo Month, but what's sculpture got to do with it?

April is Photolucida’s 5th Annual Portland Photo Month! There are many fine events and exhibitions to take part in over the next few weeks, so keep in mind the ones I mention here are only the tip of the photoberg!

Newspace Center for Photography is showing 70 portraits by Jake Shivery, North Portland native, to coincide with the release of his first monograph, which shares its title, Contact, with the exhibition series. These portraits of locals “show affection for Portland area [and its] residents.” Fittingly, the photo-oeuvre is being published by a local publishing house, One Twelve Publishing. There will be several events in conjunction with the exhibition, including an opening reception and book release on Friday, April 3. Saturday, April 18, you’ll have an opportunity to “drink with Jake” and support the Newspace mission, which will be immediately followed by a book reading artist that’s free and open to the public. Through April 26.

Re-flection by Teresa Christiansen at Pushdot Studio.

Re-flection by Teresa Christiansen at Pushdot Studio.

Natural Selections, at Pushdot Studio, will be a show of images by Teresa Christiansen from her series ‘Real Artifice.’ Her work grabbed my eye for the way she juxtaposes objects alongside and as a part of photographic backdrops and landscapes. We’re having a sculptural photography moment, but this work stands out for her use of eye-popping color and everyday objects. Opening reception is Friday, April 3 from 6-8pm. Through May 29th.

How Do I Look? isn’t a question we’ve always been able to answer with selfies. The Oregon Historical Society presents an exhibition showcasing the diversity of 19th Century photography. It’s not all pin-hole cameras and hiding under hoods, as you were taught in grade school! The exhibition will include daguerreotypes, ambrotypes, tintypes, carte-de-visite, cabinet cards, and stereoviews. Don’t know what most of those words mean, and couldn’t tell someone the difference between them even if you did? Great, I’ll see you there! Through May 2.

Back to the present, Camerawork Gallery brings us works by Martin Gremm, who’s concerned with Surveillance. Photography, which originated from our desire to capture with absolute fidelity the world as we see it, also functions as a means of recording our location, dependent as the medium is on time. As our phones, cameras, games, and networks collapse even closer together, how comfortable are we with how our physical selves are increasingly tracked by remote satellite technology and represented as digital traces?  Through April 24th.

In addition, the Pacific Northwest Photography Drawers at Blue Sky Gallery presents its new crop of juried, public archive of original prints by regional contemporary photographers. And keep Thursday, April 23 open for the Photolucida Photo Walk!

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Sex by Hideyuki Katsumata at Hellion

Sex by Hideyuki Katsumata at Hellion

Hellion – presents Hide in My Brain with Hideyuki Katsumata, an artist who “makes art to connect with the universe.” Whether that means something new age and spiritual, or is trendy artists speak, the work on display reflects a unique vision of alien figures that exude sexuality, and are influenced by cubism. In fact, you’re not really sure whether his figures are seducing you, or challenging you to a fight to the death, but they certainly raise the stakes and draw you in. Opening this 1st Thursday, April 2 from 6-8pm.

 

Florem Lacusnymphe by Hannah Newman at Pond Gallery

Florem Lacusnymphe by Hannah Newman at Pond

Pond – The notion that an eternal wilderness, a forever out-of-reach Eden, is waiting for us to arrive to pluck its lush fruit is a concept that drives our most unsustainable development. There will be more, they say, and something more beautiful than what we are destroying for strip malls. Of course they’re wrong. This life on this earth is the beautiful gem we’re supposed to be protecting, but how do we go about our lives with this knowledge and no clear way of taking a new direction? This month, Pond Gallery presents Grove, a curated, six-artist exhibition exploring these perspectives opening on Thursday, April 2nd, 2015 and running through May 17th, 2015.

Floor Scraper by Mario Gallucci at OneGrand Gallery

Floor Scraper by Mario Gallucci at OneGrand

OneGrand – Earlier I mentioned that we’re in the midst of a sculptural photography moment. Counterfeit Universe is the third exhibition this month that makes my case for a pattern, and not just mere coincidence. Mario Gallucci’s work is about the copy of a copy, which is a great idea to explore in our 21st century world of endless digital repetition. How do you determine the original, or is the original passe? Do the endless copies strengthen or weaken the idea the original conveys, or is its own repetition idea enough? And how do we deal with all of this when corporations are trying to sell to us enter the picture? While you should be on the look out for “tricks and illusions,” I don’t think these are your grandfather’s trompe-l’œil paintings, even if the work is proudly work in that vein. Opening reception Friday, April 4 at 7.

 

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!

 

The Ides of March Gallery Guide

Rosemarie Beck takes over Portland, a group show at Gallery 114 and more...

This month I am excited to share with you an exhibition of the multi-disciplinary work of Rosemarie Beck (1923-2003) hosted in venues across the city. Co-organized by the Oregon Jewish Museum and Center for Holocaust Education, Portland Community College Rock Creek, and PSU College of the Arts, Lyric Truth: Paintings, Drawings, and Embroideries by Rosemarie Beck includes Beck’s joyous figure drawings, dense and colorful embroideries, and large, rigorously organized paintings inspired by themes from classical mythology and literature.

Rosemarie Beck, Two with Horses, 1964, oil on canvas, 24 x 30in., Collection of Nora Beck, Portland (photo by Loren Nelson)

Rosemarie Beck, Two with Horses, 1964, oil on canvas, 24 x 30in., Collection of Nora Beck, Portland (photo by Loren Nelson)

Beck, the daughter of Hungarian Jewish immigrants, was a painter, needleworker, musician and journal writer with ties to the New York School. While many of her peers opted for abstract expressionism, Beck pursued an independent vision that moved craft traditions out of the domestic sphere and into the artistic. Lyric Truth’s exhibits and PSU symposium bring Rosemarie Beck’s work to the Pacific Northwest audiences for the first time in a widely accessible retrospective at three locations across the city:

Paintings are on display at Lincoln Hall, Portland State University, 1620 SW Park Ave., Portland: February 5 – May 3, 2015.

Embroideries are on display at the Oregon Jewish Museum and Center for Holocaust Education, 1953 NW Kearney St., Portland: January 14 – March 22, 2015.

Drawings are on display at the Helzer Art Gallery, Portland Community College Rock Creek, 17705 NW Springville Rd., Portland: February 9 – March 13, 20015

In addition, First Thursday, March 5 will feature an all day multidisciplinary symposium, which will explore themes in art, poetry, music and drama in conjunction with the exhibition. Programming includes a panel that will discuss genre and medium, while another will focus on her literary inspirations, and docent led tours of the PSU exhibit will also provide an informal way of engaging with her paintings.

Culminating the day will be a keynote address by Samantha Baskind, professor of art history at Cleveland State University, who will place Beck in the broader context of American art in the late 20th century. The lecture will be this year’s Sara Glasgow Cogan Endowed Lecture in Judaic Studies.

Additional support for Lyric Truth comes from PSU’s Department of History, Friends of History, School of Art and Design, and from Lewis & Clark College.

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Reminder! Jeffrey Thomas Fine Art – “The Sum of Its Parts, Part 2,” opens Wednesday, March 25.

 

Toast of the Town, Trish Grantham, 2015.

Toast of the Town, Trish Grantham, 2015.

Augen – If you think you’d never see an artist with obvious anime influences in their work at Augen, think again. Trish Grantham: Mystics, Stripes, and Thieves is a show of the artists layered works inspired by animals, kawaii, and the ever-present Portland “put a bird on it” in varying degrees of realism. Also a muralist with an Etsy shop, Grantham is one of those artist-of-all-trades who makes their aesthetic widely accessible.

 

 

 

 

 

David Slader, "Anything Not," digital pigment print, 56 x 56 in.

David Slader, “Anything Not,” digital pigment print, 56 x 56 in.

Gallery 114 – A longstanding, artist run gallery recently celebrating their 20th anniversary, presents the figural oil paintings of Joanie Krug, abstract oil paintings of Nathan Rhoads, and all-digital works of David Slader in an exhibit titled, “Exposure,”  March 5 through 28. There will be a First Thursday opening reception for the artists March 5,from 6 to 9 pm.  Gallery hours are noon to 6 pm Thursday through Sunday and 3 to 9 pm First Thursday.

 

 

 

 

Hedonic Reversal No. 12 by Rodrigo Valenzuela, 2014.

Hedonic Reversal No. 12 by Rodrigo Valenzuela, 2014.

Upfor  – Rodrigo Valenzuela’s work addresses issues of income inequality, class and racism both directly and obliquely. The monochromatic photographs of Hedonic Reversal recreate urban decay and ruins in the artist’s studio. Divorced from the social conditions that typically underlie “beautiful ruins” photography, the images question how our aesthetic response is altered by the absence of poverty and suffering.

 

 

 

 

 

An example of Jeff's investigatory approach to life's layers.

An example of Jeff’s investigatory approach to life’s layers.

Duplex – Jeff Sheridan is fascinated by the interior cyclicality of the universe. Using watercolor and ink washes, and inspired by geologic science texts, he attempts to make sense of this huge spinning reality by depicting microcosms, or space stations, or living petri-dishes that peel away the layers to reveal what really makes everything work. Psychic Heaves will have a reception First Thursday, March 5 from 6 -9pm.

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!

February Gallery Guide

Skinny Dipping with Hap, Something is Wrong at Hellion, Ok, Cupid? at Upper Playground and more...

Happy Black History Month! This February I’m excited to introduce a new gallery on the scene – Jeffrey Thomas Fine Art – a name that those of you who’ve been in the scene for a while might recognize. But since I fall in the category of people for whom name recognition hasn’t kicked in, I’m not going to vet his local chops here, just give an overview of what it looks like he’s doing with his new space.

Located on Northwest Raleigh Street between 22nd and 23rd avenues, Jeffrey Thomas Fine Art is an “installation-based exhibition space” that will periodically be activated by performance workshops and public talks. The gallery salon (think people chatting philosophy over wine) is a collaboration with Katayama Framing and Murdoch Collections that will present a series of group exhibitions curated around specific concepts.

Marilyn Murdoch (Murdoch Collections), Peter Murdoch (Katayama Framing) and Jeffrey Thomas (Jeffrey Thomas Fine Art)

Marilyn Murdoch (Murdoch Collections), Peter Murdoch (Katayama Framing) and Jeffrey Thomas (Jeffrey Thomas Fine Art)

Installation can mean several different, but related, things in the art world. First, there’s the fairly straightforward idea of installing a show. Depending on the type and scale of work, this will be more labor intensive that simply hanging a few flat works, and can also include activities such as building display cases and temporary walls depending on what the exhibition design calls for.

Second, there’s installation as artistic practice, which is often considered site-specific. This then turns into a pun about the specificity of seeing the work in the place that it’s designed for or responding to (sight/site). Installation art can respond to a lot of things – architecture, community, landscape, ideas, etc., through materials and practices not traditionally considered part of the visual art. In doing so it’s become an interdisciplinary way to create immersive, interactive exhibitions for public audiences.

Jeffrey Thomas Fine Art’s inaugural show is titled The Sum of Its Parts and is curated around the concept of individual works of art that champion the concept of holism as described by Aristotle. Thirteen artists for whom building a whole or complete visual experience is a central component of their artistic practice will present their approaches to the “parts” of their visual practice. Over the next two months (Part 1, and Part 2) new and different work from each of the artists will be installed, creating an evolving exhibition that encourages return visits for an experience that will be greater than the sum of its parts.

The Sum of Its Parts opens Wednesday, February 11th and runs through Saturday, March 7th at Jeffrey Thomas Fine Art, 2219 NW Raleigh Ave. A reception will be held that evening from 5 to 9 p.m. to celebrate the inaugural show and new space. I look forward to seeing you there!

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Upper Playground – The rapidly advancing landscape of technology has resulted in countless modern conveniences and comforts, including the ease of connecting with others. As a result, dating sites such as Tinder and Ok Cupid have become wildly popular; most everyone either knows someone, or has a story themselves, about their adventures trying to find love online. In fact, when I was on OkC I posted a lot of the messages on Facebook under the headline, ‘Today in Ok Cupid Messages’ and they still are the most popular posts I’ve made. Fifty24PDX Gallery aims to explore the humor and horror of these experiences in the group show Ok, Cupid? from February 4th through February 28th.

 

 

Hellion – Hellion’s first show in their new space is SOMETHING IS WRONG WITH YU SUDA. Descending upon us from Tokyo, Japan, Yu has a unique style that is a mashup of vintage Edo era art and a quirky contemporary view of Japan. For all those Portlanders interested in the clash of history and contemporary, this exhibition promises to be full of visual puns and an exuberant approach to (dis)locating our modern habits with regard to tradition. Basically, if you love those Stephen Chow movies (I’m specifically thinking of Shaolin Soccer) you need to get out from under your blanket and see this show. Opening Thursday, February 5th at 6pm, 15 NW 5th Ave.

 

 

 

OLYMPUS DIGITAL CAMERA

 

Hap – While it may seem too cold for it this time of year, Hap gallery’s February show, Skinny Dip, is not full of ice water for you to dunk yourself in, but is in fact an exhibition of sculptures by Lisa Rybovich Crallé. Working with bright colors, organic forms, bold lines and a sense of whimsy, Crallé creates sculptural forms and installations that bring out the theatricality of everyday life. Look forward to works that will engage your sense of play and stop by the opening reception on First Thursday, February 5, from 6 to 8 p.m.

 

 

 

Nationale – From a quaint and steamy babushka’s kitchen, to the elaborate and vast castle of a Norse god, Carson Ellis’s illustrations explore the myriad spaces we call home. In her third exhibition at Nationale, Ellis shares some of the original illustrations featured in her debut book, Home (Candlewick Press). From the practical to the whimsical, Ellis demonstrates that although homes can be very different, they often share a few commonalities: they are places where we spend our nights, eat our meals, and experience our days with friends and family. On view February 11th through March 16th, with an opening reception Sunday, February 15th from 2  to 5 p.m.

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!

New Year, New Guide!

MMA at White Box, A group show at Disjecta, and Adam D Miller at Rocks Box Contemporary Fine Art...

The New Year is upon us, and with a new year comes new art! While this post might seem a bit delayed, in fact we were all enjoying the first day of the year on the first Thursday of January, which is why the Portland Art Dealer’s Association postponed their opening receptions to Thursday, the 8th. In addition to few First Thursday galleries I’ve also included shows that open later in the month so we can start off the year with a fresh start. I don’t know about you all, but my new year resolutions include being moved to tears by art more often, like I was when I saw A Winged Victory for the Innocent at Mississippi Studios a few weeks ago. I can’t tell you why I cried, by I can tell you it was cathartic and uplifting, which is why I’ll keep schlepping around to the galleries every month for the rare chance at a similar experience.

First Thursday Galleries:

Wrest_01White BoxThe Quick and The Slow by Evan Larson-Voltz explores the idea of imaginary travel through crafted objects and installation pieces that draw out the viewer’s fragmented sensory responses. Wrest_01 is a video of artist Heidi Schwegler trying to free herself from the defensive holds of Colt Toobs, mixed martial artist and son of famous World Wrestling Entertainer Rowdy Roddy Piper.

 

Untitled, from the series Inventing My Father by Diana Markosian

Untitled, from the series Inventing My Father by Diana Markosian

Blue Sky – Dima Gavrysh, Inshallah (God-willing), catalogs the impact of the Soviet and American occupations of Afghanistan while he was embedded in the US Army. Diana Markosian, Inventing My Father, reconstructs her relationship to her lost father with whom she reconnected after a separation of over 15 years.

 

 

 

 

Joel Wellington Fisher

Joel Wellington Fisher

Art Gym – Shifting Practice is a group show of allusions, interventions, and conventions in contemporary photography at Marylhurst University.

 

 

 

 

Saturday, Jan 17th openings

constructs at DisjectaDisjecta – Constructs with Nathan Green, Pablo Rasgado, and Laura Vandenurgh takes Disjecta’s gallery walls as a form for experimentation that highlights the architecture of gallery space through scale and the body through site specific installations that encompass painting, sculpture, and architecture.

 

 

Roger Shimomura (American b. 1939), Classmates #1, 2007, 24 x 36 in., acrylic on canvas, private collection, Seattle, WA. Photo courtesy of the Museum of Art at Washington State University, Pullman, WA.

Roger Shimomura (American b. 1939), Classmates #1, 2007, 24 x 36 in., acrylic on canvas, private collection, Seattle, WA. Photo courtesy of the Museum of Art at Washington State University, Pullman, WA.

Hallie Ford Museum of Art – Roger Shimomura: An American Knockoff at the Melvin Henderson-Rubio Gallery at Willamette University is an exhibition of paintings and prints from the early 1970’s to the present with an emphasis on his recent work. Influenced by comic books, pop art, and traditions of Japanese woodblock prints, Shimomura’s work represent his experiences as a Japanese-American by addressing his childhood at the Minidoka internment camp during WWII and by inserting himself as an aging Asian Everyman in a host of recognizableAmerican settings.

 

 

Saturday, January 24th opening

Detail of work by Adam D Miller

Detail of work by Adam D Miller

Rocks Box – Hive Mind is a solo exhibition of work by Adam D. Miller. Co-founder of The Pit, an exhibition space featuring emerging and mid-career Los Angeles based artists. Gallery hours are Saturday and Sunday from 12 to 5pm, or by appointment at the intersection of N Interstate Ave and N Rosa Parks Way.

 

 

 

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!

Holiday Gallery Guide

Celebrate The Magic Garden Strip Club at One Grand Gallery, and support local artists and galleries this holiday season...

These days we’re all defined by our tastes – whether it’s in music, fashion, or food – so don’t forget the visual arts when considering what to buying your friends and family this holiday season. Art is a gift that they can experience over and over again. Art makes the rooms in your home unique, and it’s the best way to support an artist and the local art scene.  With that in mind, let me direct you to the posters that will be for sale under $100 this month at One Grand Gallery.

Magic Garden Last CallIn case you haven’t heard, the Chinatown strip club Magic Garden is closing its doors at the end of December after more than 40 years in business. To celebrate this Portland staple, One Grand Gallery put out a call for poster art “inspired by vintage posters, historical images of the dancing nude, and through re-imagined images, typefaces and symbols of all kinds” for its exhibition Magic Garden: Last Call. With a long history of the nude form in art and painting, there’s plenty of source material to inspire the artists.

I was pleasantly surprised to learn a little history: Magic Gardens opened as a lesbian club back in the ’60s. And while some of you might think my inclusion of an exhibition dedicated to a strip club to not to be your tastes or politics, I’ll just say that the times that I’ve visited Portland’s strip clubs I’ve been impressed with the strength, athleticism, and artistry of movement the women on stage exhibited. These qualities are well worth celebrating in art. Magic Garden: Last Call runs December 530, with an opening reception 7-10 p.m. Friday, December 5.

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Confiscated Junk Ship 25713 (The Sellard Ship)-FinalRetouch copyDuplex Gallery – I’m making a point to include this show because even though Eric Petitti is from Boston, the paintings in The No Place People are influenced by Portland’s Shanghai tunnels, and the history of shanghaiing, or as it’s known on the East Coast, pressing. This show is a historical exhibition of a fictionalized future. In presenting his work in this way, Petitti asks us how we construct our own “Historical Truths” through the (mis)representation of people and past events. Duplex also has an online store where works from previous exhibitions can be browsed through and bought.

 

Michael VahrenwaldHap Gallery –  Michael Vahrenwald photographs banks, built with sumptuous materials and in neoclassical styles, that now host fast food restaurants, retail stores, mom-and-pop shops, and churches. These photographs document the layering of style and functionality as the symbols of the permanence and optimism of the American economy give way to the changing wealth, class and power aesthetics in the United States. Hap Gallery usually commissions a unique series of works from each artist to be sold for less than $100, so you can please the architecture enthusiast without breaking the bank!

 

 

 

elizabeth malaskaNationale – Anyone critical of the patriarchal lineage of modern art has a lot of material to work with.  Which is why there are so many visible references to the “great artists” in Elizabeth Malaska’s paintings. At first glance we might see a vase filled with lily pads, a standing woman, and a chair in front of a tapestry. Closer looking reveals the gun in her hands, and the head a sculpture under the chair. These details and others create an unfulfilled narrative tense with premonition. Elizabeth Malaska: When We Dead Awaken is perfect for the feminists and art lovers in your life!

 

Buffalo FetishQuintana Galleries – Interested in Native American art and culture? Quintana Galleries has a wide range of works available including Zuni fetish items, Arctic sculpture, Northwest Coastal art, Southwest jewelry, Northwest Coast prints and jewelry, basketry, and Southwest pottery. In addition to supporting contemporary native artists and their creative traditions, don’t forget to sign the petition to get the Washington Redskins to change the name of their football team from a racial slur against fellow Americans.

 

MitsuOkubo_SpiderlandWorksound International – Spiderland is an installation of drawings by Mitsu Okubo that examines what happens when the body finds itself in conflict with its environment. An LA native with Japanese and Mexican parents, Okubo sought intimacy while growing up with his loud extended family. These contradictions, along with his interest in comics, horror, and porn, feed his work in such a way as to create beautifully grotesque imagery. Whether this will show up in this exhibition is just one reason to go see the show for yourself.

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!

Missing the Sun? Here’s some Art!

Abigail McNamara at Duplex, Alaskan Fisherman Photography at Hartman, Terry Atkinson at YU and more...

Now that Portland has entered the time of year when we rarely see the sun’s light or feel its warmth, I thought I’d bring to your attention the installation by Abigail McNamara at Duplex Gallery. Over the past few weeks she’s been installing her site-specific work directly onto the gallery walls, and her imitation gold leaf has the same sheen and malleability as the real deal. Gold has long been a sacred material. First recognized for how the metallic qualities resembled the sun, its symbolism expanded to include heavenly realms and divine figures, and its meanings continue to grow to fit contemporary life’s needs.

The artist at work

The artist at work

A graduate of Lewis and Clark College, McNamara’s early work reflected her interest in natural processes. Nowadays she’s more likely to investigate the boundaries between natural and human patterns through maps of suburban sprawl, charts of population shifts, and the binary language of data. Her use of gold, as a natural material with deep cultural significance, is an appropriate medium to explore how nature mediates culture and vice versa.  These themes of growth and decay combined with a meticulous craft techniques create the foundation for her time-based art.

Her creative practice has moved into the realm of performance as she’s installed her work over the past month while the public has been able to stop by, watch, and ask questions. The time and resources for this ambitious, interdisciplinary project have been made possible thanks to a Career Opportunity Grant from the Oregon Arts Commission. A First Thursday reception, November 6 from 6-9pm, will mark the end of the artist’s creative process, and the start of when viewers can bask in in her completed work. Abigail McNamara will be on view at Duplex Gallery, at 219 NW Couch St, through November 21st.

 

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Roger Kukes, Land Labyrinth (Green).

Roger Kukes, Land Labyrinth (Green), acrylic on paper.

Augen – For dystopian landscapes full of ecological destruction, nuclear warfare, and the clash between native and colonial cultures, look no further than Theater of the Land. Roger Kukes will fill that quiet hole in your heart and make it swell with doubt as to whether civilization as we know it will survive the converging crises you’re mostly content to ignore day in and day out. I could make some comparison to the hellish landscapes of Hieronymus Bosch and the manifest destiny of 19th century American Landscape painting, but you don’t need art history to know we don’t live in an ideal world. Then again, maybe it’ll give you some hope to see your nightmare looking back at you.

 

Katherine Mead, Kite Craft, mixed media collage.

Katherine Mead, Kite Craft, mixed media collage.

Gallery6pdx – For lighter but still stimulating looking, check out Field+Frame. Katherine Mead’s mixed-media collages use architecture motifs to frame landscapes in ways that play with perspective. Though less content driven, Mead’s compositions demonstrate the power of juxtaposition when handled by a mature artist.

 

Corey Arnold, Fight or Flight, archival pigment print.

Corey Arnold, Fight or Flight, archival pigment print.

Hartman – In coining utopia as “no-place”, Sir Thomas Moore located our “good-place” on the farthest fringes of civilization.  Corey Arnold’s newest body of work, Wildlife, is a series of compelling images of life on the edge of the Alaskan wilderness. Arnold has long been captivated and continues to be influenced by the natural world in his work as a fisherman and a photographer.

 

 

APAK, Secret Sanctuary (detail), gouache on wood.

APAK, Secret Sanctuary (detail), gouache on wood.

Hellion – November is your last month to catch a show at Hellion before they take a two month hiatus from exhibiting. So hurry over to see In the Toy Box and Dreams within Dreams before the month is out. Remember the awkwardness of middle school? Well Ikumi Nakada does and creates soft, illustrative style images of boys and girls on the onset of puberty. These works will help sooth your shameful memories of that time. For lush, imaginative paintings of a magical far-off word, husband-wife team APAK has you covered.

 

Image not available for Terry Atkinson, Greaser, mixed media and oil.

Image not available for Terry Atkinson, Greaser, mixed media and oil.

YUTerry Atkinson is an exceptionally influential British conceptual artist who founded the artists group Art and Language. Without a doubt you’ve seen derivative works by PNCA grads for years. After enduring all that you might as well go see the internationally famous version at Yale Union this month so you can say you did. On display are early works fabricated for the first time on site. Atkinson calls them Greasers, but most people understand them as paintings. Be sure to bring a rigorous class analysis of the art world with you for their opening reception on Saturday, November 8th from 3-5pm.

 

 

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have great shows beyond the scope of this humble guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!