Fox & Beggar Theater

‘Angamazad’ review: handmade tales

Fox & Beggar Theater's circus-style production lights up Arabian Nights

And Shahrazade noticed that dawn was approaching and stopped telling her tale. Thereupon Dunazade said, “Oh sister, your tale was most wonderful, pleasant and delightful.”

“It is nothing compared to what I could tell you tomorrow night, if the king would spare my life,” Shahrazade said.

“By Allah,” the king thought to himself. “I won’t slay her until I hear some more of her wondrous tales.”

That’s the setup of A Thousand and One Nights a/k/a Arabian Nights a/k/a Alf Layla Wa Layla, the compendium of thrilling stories of Sindbad the Seaman, Ali Baba and the 40 Thieves, Aladdin and the Magic Lamp and so many more.

Fox & Beggar’s ‘Angamazad.’ Photo: Carrie Anne Huneycutt.

And that’s the story (or at least a glimpse of it) that Fox & Beggar Theater brought to Portland’s Alberta Abbey for a one-weekend run at the end of last month. With over 4,000 pages of folk tales from across the Middle East available in the colossal collection, drawn from both recent (Lyons & Lyons) and 1888 (Richard Burton’s classic) translations, the creative team of writer/director Heather Beckett and her F&B co-artistic director Nat Allister had to be selective. And while, hamstrung by a tedious opening sequence, it couldn’t keep me entirely enthralled for its three-plus hour running time, much less a thousand nights and a night, Angamazad offered abundant enthusiasm and moments of magic.

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