gallery 114

Tattoo you: art in the flesh

Gallery 114's "InkBodySkinPaint+Fire," with paintings by David Slader and photos by Owen Carey, looks at and below the surfaces of self

A week ago Wednesday evening, the night before the official First Thursday opening at Gallery 114 of the artist-run gallery’s March show, InkBodySkinPaint+Fire, the basement space at Northwest Glisan Street and 11th Avenue was hopping. It was the pre-opening opening, insiders’ night, and the place was packed. Actor and longtime theater teacher Bob McGranahan was outside at the corner, an early bird just flying off after checking the scene. At the stairway entrance a vendor for the weekly homeless-advocate publication Street Roots, which had a cover story by Emily Moore on the exhibition, was offering papers for sale.

Rusty Tennant: jump for joy. Photo: Owen Carey

Down the stairs to the landing a photograph of actor/director/producer/tech whiz Rusty Tennant hangs like a vivid greeter or bouncer at the door, tattooed as ornately as the stage set for a Victorian drawing-room comedy with a tree-earth mother gracing his brawny upper arm. Inside, a congenial and varied mob of theater people, art people, and friends of the artists was milling around, chatting, sipping wine, taking in the work of the two artists: painter David Slader, a gallery member (he also has a large long sculpture in the show), and his invited guest artist, photographer Owen Carey.

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Art notes: new grads, old pros, big names, prison art

From Picasso to new college art grads, a quick guide to July's First Thursday and other gallery openings

First Thursday, the monthly walk of openings in the city’s art galleries, is this week, with a few holdovers and a few shows opening on slightly different dates. A few of the many new exhibits to watch for:

David Slader in the studio. His new exhibit opens Thursday at Gallery 114.

 

Erin Law, Lewis & Clark College, “Untitled 2,” 2017. Plywood, paint, plant, video loop. 84″ x 18″ x 36″. Blackfish Gallery.

Recent Graduates Exhibition 2017 at Blackfish. For the 22nd year, Blackfish presents its group showing of work by art school graduates from colleges and universities, private and public, throughout Oregon. With two each, selected by their respective schools’ art faculty at fifteen schools, that’s thirty artists. This is always a good opportunity to see the work of up-and-coming artists just entering the market. In the curious lingo of the art world, they’re known as “emerging artists,” a title that seems to be almost magically attached to young artists until at some point they mysteriously become “mid-career” artists and finally become … what? Veterans? Eminences grises? Old masters? Geezers? (Portland has, as you may know, a thriving Geezer Gallery.)

Miró and Picasso at Augen. Meanwhile, a couple of fully emerged artists – Pablo Picasso, a Spaniard who was active in France, and Barcelona-born Joan Miró, who worked in Paris and his native Spain – are showing prints and, in Picasso’s case, some ceramics, too. If you’re not familiar with them, they’re good artists to know. Paired nicely with a back room show of prints by the veteran Northwest artist Thomas Wood.

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The Ides of March Gallery Guide

Rosemarie Beck takes over Portland, a group show at Gallery 114 and more...

This month I am excited to share with you an exhibition of the multi-disciplinary work of Rosemarie Beck (1923-2003) hosted in venues across the city. Co-organized by the Oregon Jewish Museum and Center for Holocaust Education, Portland Community College Rock Creek, and PSU College of the Arts, Lyric Truth: Paintings, Drawings, and Embroideries by Rosemarie Beck includes Beck’s joyous figure drawings, dense and colorful embroideries, and large, rigorously organized paintings inspired by themes from classical mythology and literature.

Rosemarie Beck, Two with Horses, 1964, oil on canvas, 24 x 30in., Collection of Nora Beck, Portland (photo by Loren Nelson)

Rosemarie Beck, Two with Horses, 1964, oil on canvas, 24 x 30in., Collection of Nora Beck, Portland (photo by Loren Nelson)

Beck, the daughter of Hungarian Jewish immigrants, was a painter, needleworker, musician and journal writer with ties to the New York School. While many of her peers opted for abstract expressionism, Beck pursued an independent vision that moved craft traditions out of the domestic sphere and into the artistic. Lyric Truth’s exhibits and PSU symposium bring Rosemarie Beck’s work to the Pacific Northwest audiences for the first time in a widely accessible retrospective at three locations across the city:

Paintings are on display at Lincoln Hall, Portland State University, 1620 SW Park Ave., Portland: February 5 – May 3, 2015.

Embroideries are on display at the Oregon Jewish Museum and Center for Holocaust Education, 1953 NW Kearney St., Portland: January 14 – March 22, 2015.

Drawings are on display at the Helzer Art Gallery, Portland Community College Rock Creek, 17705 NW Springville Rd., Portland: February 9 – March 13, 20015

In addition, First Thursday, March 5 will feature an all day multidisciplinary symposium, which will explore themes in art, poetry, music and drama in conjunction with the exhibition. Programming includes a panel that will discuss genre and medium, while another will focus on her literary inspirations, and docent led tours of the PSU exhibit will also provide an informal way of engaging with her paintings.

Culminating the day will be a keynote address by Samantha Baskind, professor of art history at Cleveland State University, who will place Beck in the broader context of American art in the late 20th century. The lecture will be this year’s Sara Glasgow Cogan Endowed Lecture in Judaic Studies.

Additional support for Lyric Truth comes from PSU’s Department of History, Friends of History, School of Art and Design, and from Lewis & Clark College.

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Reminder! Jeffrey Thomas Fine Art – “The Sum of Its Parts, Part 2,” opens Wednesday, March 25.

 

Toast of the Town, Trish Grantham, 2015.

Toast of the Town, Trish Grantham, 2015.

Augen – If you think you’d never see an artist with obvious anime influences in their work at Augen, think again. Trish Grantham: Mystics, Stripes, and Thieves is a show of the artists layered works inspired by animals, kawaii, and the ever-present Portland “put a bird on it” in varying degrees of realism. Also a muralist with an Etsy shop, Grantham is one of those artist-of-all-trades who makes their aesthetic widely accessible.

 

 

 

 

 

David Slader, "Anything Not," digital pigment print, 56 x 56 in.

David Slader, “Anything Not,” digital pigment print, 56 x 56 in.

Gallery 114 – A longstanding, artist run gallery recently celebrating their 20th anniversary, presents the figural oil paintings of Joanie Krug, abstract oil paintings of Nathan Rhoads, and all-digital works of David Slader in an exhibit titled, “Exposure,”  March 5 through 28. There will be a First Thursday opening reception for the artists March 5,from 6 to 9 pm.  Gallery hours are noon to 6 pm Thursday through Sunday and 3 to 9 pm First Thursday.

 

 

 

 

Hedonic Reversal No. 12 by Rodrigo Valenzuela, 2014.

Hedonic Reversal No. 12 by Rodrigo Valenzuela, 2014.

Upfor  – Rodrigo Valenzuela’s work addresses issues of income inequality, class and racism both directly and obliquely. The monochromatic photographs of Hedonic Reversal recreate urban decay and ruins in the artist’s studio. Divorced from the social conditions that typically underlie “beautiful ruins” photography, the images question how our aesthetic response is altered by the absence of poverty and suffering.

 

 

 

 

 

An example of Jeff's investigatory approach to life's layers.

An example of Jeff’s investigatory approach to life’s layers.

Duplex – Jeff Sheridan is fascinated by the interior cyclicality of the universe. Using watercolor and ink washes, and inspired by geologic science texts, he attempts to make sense of this huge spinning reality by depicting microcosms, or space stations, or living petri-dishes that peel away the layers to reveal what really makes everything work. Psychic Heaves will have a reception First Thursday, March 5 from 6 -9pm.

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Finally, here are the links to two great maps of the many galleries and art institutions of Portland that have intriguing shows beyond the scope of this brief guide:

Portland Art Dealers Association Galleries and Alliance Members

Duplex Collective’s Gallery Guide

Don’t forget to mention the shows you’re looking forward to below in the comments!