George Johanson

Thanks, giving, the essence of art

ArtsWatch Weekly: Passing the artistic impulse into the future, Josie Seid's America, Don Latarski's wild art, remembering Bruce Browne

AS YOU MIGHT HAVE NOTICED, this week’s ArtsWatch Weekly is a day late (although not, I hope, a dollar short). Usually I start plotting out the column at the beginning of the week, try to get a little writing done on Tuesday and Wednesday, then finish it on Thursday. But this Thursday, of course, was Thanksgiving Day, and quite likely just like you, I was otherwise engaged in the kitchen and at the table, and had been for a couple of days beforehand. This may be the strangest year in our collective memory, and for many of us the oddest of Thanksgivings – what seems the core of the holiday, the gathering together, is precisely what we couldn’t do – and yet, despite the pandemic and teetering economy and social unrest and volatile politics, there was thanking to be done.

When I think about the holidays I think partly of the gifts the past has to offer the present and future: not the stultifying or outmoded aspects of tradition, but the liberating ones. What is good? How do we build on it? This sifting and measuring is intimately involved in the constant reshaping of our cultural and artistic lives: What do we appreciate in the past and present, and carry forward with us into the future?

Some artists embody in their work all three tenses, and looking through what’s happening in Portland’s galleries I note with pleasure and thanks that two of them have exhibitions on view. Both exhibits end on Saturday, so time’s running short, but you can also see the works through the links below.
 

George Johanson, “The Artist’s Studio,” 2020, oil and acrylic on canvas, 36 x 48 inches, in his show “George Johanson – Rising Waters and Quasi Portraits: New Paintings,” closing Saturday at Augen Gallery, Portland.

Continues…

The Artists Series 4: Visual Artists

Ten more portraits in black and white by K.B. Dixon of Oregon artists who are helping to define what Portland and the state look like


TEXT AND PHOTOGRAPHS BY K.B. DIXON


This is the fourth installment of portraits in The Artist Series. The first two focused on Oregon writers. Part 3 and this installment, Part 4, focus on visual artists—the gifted, award-winning painters, sculptors, and photographers who have made invaluable contributions to the cultural life of this city and state, people whose legacies are destined to be part of our cultural history.

For an introductory look at their work, I refer you to their digital digs—their virtual ateliers.


STEPHEN HAYES: PAINTER


A “deft blending of representation and sheer abstraction underpins Hayes’s eminence as a supreme kind of painters’ painter in the Pacific Northwest.” – Sue Taylor, Art in America.

Examples of Hayes’s work can be found at the Elizabeth Leach Gallery and at https://www.stephenhayes.net

Continues…