From clouds to sounds, an artist’s path: “I hear a lot in the paintings … some movement, something that comes after and before and above and below. Like a cropped photograph or a clip from a melody, you know there is more.”
EDITOR’S NOTE: In the second of two visual essays from northern New Mexico, photographer and artist Friderike Heuer visits Georgia O’Keefe’s home territory and revises her thinking about the artist. She also responds to O’Keeffe’s views of the land and sky with
by MATTHEW ANDREWS The Oregon Symphony Orchestra started its season in September with two of the more unusual, less typically classical types of concerts it regularly produces. The first was part of the film-with-live-score series, always among the OSO’s most popular concerts;
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