Gidion’s Knot

Fight night: Unraveling ‘Gidion’s Knot’

Boom! Third Rail's new two-hander is like a boxing match in a fifth-grade classroom.

Whatever else a two-hander play happens to be about, it’s almost always about a fight. It could, of course, be about two people united in blissful harmony, but then it wouldn’t be a play, because plays imply action, and action implies conflict.

So let’s place Gidion’s Knot, Johnna Adams’ intermissionless hour-and-a-half drama pitting a fifth-grade teacher against an upset mother, inside a metaphorical boxing ring. The fighters land lots of blows, parry quite a few, and show off some fancy footwork. Something primal’s going on, an intellectual bloodlust that gets in your nostrils and stimulates your lower brain. Sock it to her!

Green (top) and Newman. Photo: Owen Carey

Green (top) and Newman. Photo: Owen Carey

Amy Newman as Heather, the teacher, and Dana Green as Corryn, the mom, are good fighters in Third Rail Rep’s new production of Adams’ play, which debuted in 2012 and is a hot property right now on the resident-theater circuit. It’s a pleasure to watch them move around the boxing ring, which at the intimate CoHo Theatre, where Third Rail’s production is being mounted, consists of a brightly decorated schoolroom complete with desks, board displays (the class has been studying ancient mythologies), inspirational statements and pinned-up papers: scenic designer Kristeen Crosser makes you feel as if you’ve walked straight into an after-school parent/teacher conference. Green and Newman are good tacticians, sweet scientists of the acting ring. I admire the skills they and director Michael O’Connell reveal as the fight goes on, especially the way they use long beats, Pinter-like pauses, to ratchet the suspense and play up the emotional undercurrents of what swiftly becomes a horrendously uncomfortable encounter. The writer and performers are adept at turning up the heat and delivering a chill.

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