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MusicWatch Weekly: celebrations and appreciations

This week's Oregon concerts celebrate a famous composer's centennial, an Oregon professor's creative  work, early Italian baroque, female composers, and American jazz

The adventurous Portland/Seattle ensemble Sound of Late premieres Book of the Dark by American composer Alan Shockley at their Saturday night informal, hour-long show at Portland’s New Expressive Works. The chamber music score incorporates references to James Joyce’s Finnegan’s Wake, moody English composer John Dowland’s darkly compelling Lachrimae, occult symbolism, and more.

Sound of Late performs at Portland’s N.E.W. studios Saturday

The intriguing program also includes the still-startling solo flute showcase Diaphonic Suite #1 by one of America’s first great female composers, Ruth Crawford (who later added a husband and a surname, Seeger), a chamber ensemble arrangement of Arvo Part’s choral classic Summa, Argentine composer Adriana Verdié’s Confluencia and Michigan composer Alexander Miller’s Short Stanzas.

Lisa Neher performs Sunday at Lewis & Clark College.

As we noted in the previous MusicWatch, last weekend saw three Portland concerts that featured new music by female composers. This Sunday afternoon, a free recital at Lewis & Clark College’s Agnes Flanagan Chapel offers another. Her Songs: A Recital of Music by Women, features composer, mezzo-soprano and L&C alumna Lisa Neher and pianist Stephanie Thompson performing songs by early 20th century French composers Germaine Tailleferre and Lili Boulanger, California’s Gabriela Lena Frank, Broadway composer / lyricist / conductor Georgia Stitt, and Neher herself.

Since graduating from Lewis & Clark, Neher has built a career as choral performer and vocal recitalist and created One Voice Project, a one-woman performance combining contemporary poetry and new musical works for unaccompanied voice chosen through a call for scores and teaches college in Iowa.

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