Hand2Mouth

DramaWatch Weekly: Pop-up City

It's a week for short runs, from Chekhov to Twilight in L.A. – plus full-run shows on Patsy Cline, the Irish Troubles, and a sex crime coverup

Pop-up restaurants. Pop-up bars. Pop-up nightclubs, galleries, boutiques, publishing houses, concerts. We’re living in a pop-up world, so why not pop-up theater?

The traditional method of producing is to start a theater company, announce a season, and run a half-dozen shows for several weeks at a time. That still dominates, especially in the nonprofit theater world.

But more and more, quick-hit shows are spicing up the scene. You might not see reviews of them very often, because they’re in and out, here and gone. But a growing number of  producers and performers are taking advantage of short-run opportunities, and it takes a little scrambling to keep up.

What is the Fertile Ground Festival but a massive series of pop-ups? What about a company like Boom Arts, which exists to bring in a steady stream of political or experimental shows from around the world for very brief runs? What about the several play-reading series in town? And it’s not just small lean groups popping up and down. The two biggest theater companies in town, Portland Center Stage at The Armory and Artists Repertory Theatre, are playing the short-run, special-event game, too.

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DramaWatch Weekly: Crikey!

Blimey: Some Portland stages are getting all Irish on us. Plus a Magic Show, a White Hound of the North, and mom's brief scandalous affair

Fun linguistic facts: Did you know “blimey” is short for “blind me,” and “crikey” for “croak me?” And just like that, an expression of simple surprise becomes a murmured self-annihilation. Thank James Joyce for putting it to paper, and thank the Irish for their wry twist on the human condition, which, this month, we celebrate.

At least two companies seem to be making St. Patrick’s festivities official, mentioning “Irish Month” in promoting intimate Irish shows: Portland Story Theater’s Luck of the Irish and Readers Theater Repertory’s Lovers: Winners.

The former will fill the Old Church to the brim with music and blarney for a 90-minute step-dancing, harping, fiddling variety and storytelling show.

The latter, a dramatic reading of Brian Friel’s Lovers: Winners, eavesdrops on two teenagers struggling to focus on studying for their exams, even as “an unforeseen event propels them into disgrace.” Ooooooo. (Call 971.266.3787 to make reservations. The Blackfish Gallery fills up fast.)

Oh! And it looks like fly-by-night micro-company Speculative Drama and Susurrations will soon debut an Irish-infused White Hound of the North at The Steep and Thorny Way to Heaven (reserve at events@thesteepandthornywaytoheaven.com)

Of course, you can’t mention Irish Theater in Portland without checking in on Corrib. One may even wonder if, like serious partiers shun New Year’s Eve as “amateur night,” serious Irish folklorists snub St. Patty’s. Sure enough, looks like they’re laying low in the afterglow of Lifeboat, and in more ways than one, prepping Quietly for April. Two Irishmen meet in a Belfast bar 30 years after The Troubles to remember events and reconcile a rift.

 

Oh: And how about a little sleight-of-hand? Portland Center Stage opens Andrew Hinderaker’s “The Magic Play” this weekend on the Main Stage at The Armory. That’s Jack Bronis as “Another Musician” waving that giant Queen of Hearts. Photo: Patrick Weishampel/blankeye.tv

What sort of affair is Our Mother’s Brief Affair? Sounds like a talkie on a park bench rather than a song-and-dance soiree. Triangle Productions opens it this weekend. Like Mother’s iconic Burberry trench coat, it sounds like a subdued character study in revealing, concealing, and putting on airs.

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