Haydée Guttierez

Past, present, future: Alison Roper and OBT

Portland's illustrious ballet star, retiring after 18 years, looks back on her career and forward to fundraising

Extending her long, long legs like the rays of the sun in Apollo, dropping a disembodied hand into a piano in The Concert, wringing our hearts with every ripple of Odette’s arms as she returns to swanhood in Swan Lake: these moments and many others flash through my mind as I think about Alison Roper’s long career with Oregon Ballet Theatre.

For nearly two decades, Portland audiences have seen these qualities in Roper’s performances: joy in the dancing, commitment to the music, or the movement, or the character, or the story.  Last Saturday, she danced with the company for the last time, ending her life on stage with The Girl from Ipanema from Trey McIntyre’s Like a Samba, her first featured role.

Alison Roper: one more round of applause. Photo: Blaine Truitt Covert

Alison Roper: one more round of applause. Photo: Blaine Truitt Covert/2014

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