Heath Hyun Houghton

The Madness of Asae Dean

It's a Shakespearean double or nothing – in rep! –for the mastermind of Salt and Sage's "Troilus and Cressida" and "Antony and Cleopatra"

Making art is often a difficult and thankless proposition. Producing theater, in particular, can be even more of both. It follows that for most fringe theater companies, producing either Shakespeare’s Antony and Cleopatra OR his Troilus and Cressida would be an arduous enough undertaking. Tackling both at the same time, as Salt and Sage Productions is doing with a repertory that opens on Friday, would be an epic task of Herculean proportions – maybe even a little crazy.

Salt and Sage artistic director Asae Dean probably wouldn’t even deny the charge. “Theatre is hard work,” she says on her website, “it’s supposed to hurt a bit – you should break a sweat, you should shed a tear – you are doing work that stretches the soul.” 

Asae Dean, double or nothing. Photo: Heath Hyun Houghton

IN THE DIGITAL AGE, THEATER IS THE LOWEST RUNG on the pop culture ladder, and Dean is the outsider’s outsider. She’s been knocking on the door for the past seven years and just can’t get in. “I’d be totally lying to you if I didn’t say that it disappoints me that it seems so hard to gain traction in this city,” she admits. Many who have tried to break into the Portland theater scene have found it a tough shell to crack. If you’re trying to break in solely as a director, it can be even more difficult. When you’re on the fringe level, producers either hire themselves or artists whose work they’re familiar with for the spots that do come open.

Continues…