How I Learned What I Learned

Ashland’s season to shake it up

The Oregon Shakespeare Festival meets the times with a hybrid season of new and old: plays on video now, maybe live onstage later

Seasons change, as one of nature’s great truisms holds. In a sense, seasons also are about change, shaped by, yet also initiating, cycles of piecemeal progression and eternal return. 

So it all is, so to speak, for the recently announced 2021 season of the Oregon Shakespeare Festival. Attempting a nimble and multifaceted response to the ongoing crisis of the Covid-19 pandemic and its effect on the public gatherings that help define theater, OSF will roll out a slate of productions – both on stage and on digital video – that marks big changes from Ashland traditions and also is very much subject to change.

“Woe to the hand that shed this costly blood!” cries Mark Antony (Jordan Barbour) over the slain Julius Caesar (Armando Durán). The 2017 Ashland production returns via video in 2021. Photo: Jenny Graham

The new season, OSF’s first to combine its expanding digital platform, called O!, with live performances on the Ashland campus, begins March 1 with, well, a re-run. A video capture of the powerful 2017 production of Julius Caesar – directed by Shana Cooper and starring Armando Duran, Danforth Comins and Rodney Gardiner — does keep with the tradition of starting each season with the festival’s namesake playwright. Two other recent hits, Mary Kathryn Nagle’s Manahatta, which contrasts Native American lives across centuries, and Snow in Midsummer, a modern ghost story based on a classical Chinese drama, complete the spring offerings. The streaming schedule, however, essentially serves up one show per month from March through May; you won’t be able to binge watch them all in an attempt to replicate an Ashland opening weekend.

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