James X

Sketching ‘Volcano!’ at the museum

ArtsWatch Weekly: Big crowds & small artists take in the Portland Art Museum's big boom, March's new art & dance, a fresh film fest

ON SATURDAY I DROPPED BY THE PORTLAND ART MUSEUM to spend a little quality time with Volcano!, the sprawling exhibit designed to coincide with the 40th anniversary of the eruption of Mt. St. Helens. (The mountaintop blasted sky-high on May 18, 1980; the museum’s show closes on May 17, a day before the anniversary.) On a rainy afternoon the place was packed with curious or nostalgic visitors. Some came to revisit their experiences of one of the most memorable days in modern Pacific Northwest history. Some came eager to learn a little more about a cataclysmic event they didn’t live through themselves but knew was a Really Big Deal. And most seemed engaged: The crowd wasn’t just walking through quickly with a glance here and a glance there – people were studying the paintings and photographs, sometimes doubling back to take a closer look at something they’d already seen. One way or another, this show seemed a part of their lives.

Lucinda Parker, “The Seething Saint,” 2019, acrylic on canvas, in the exhibition “Volcano!” at the Portland Art Museum. Courtesy Lucinda Parker and Russo Lee Gallery

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DramaWatch: Punch-Drunk Life

Imago Theatre's "Special K" drinks deep of theatrical madness. Plus openings from CoHo, Corrib, and defunkt dot the theater calendar.

“She’s crazy. Always has been, always will be. There’s nothing here but a play.”

— from Special K, by Jerry Mouawad

In times such as these, who’s to say what’s crazy? Most of us probably think we know crazy when we see it, but if we find ourselves in its lap we might not be so sure. Special K, a new play by the always-intriguing Jerry Mouawad and Imago Theatre, is about going crazy. And about being crazy. And/or not being crazy after all. And about the way that craziness breeds more craziness around it.

It also seems to be about — sometimes fleetingly and flittingly, sometimes deep in its madly circuitous structure — mental illness, drug-induced psychosis, power and manipulation, complicity and duplicity, acting and improvising, sexuality and gender dynamics, the philosophical dialectic between the Apollonian and the Dionysian, the permeable membrane between internal experience and objective reality, the elusiveness of truth, and the importance of knowing what’s in your cup.

“The insane are holier than the sane.” So says the Queen — or maybe she’s the Empress — in Imago Theatre’s Special K. Anne Sorce (center) stars, with (clockwise from left) Danny Gray, Matthew Sunderland, Emily Welch and Stephanie Woods. Photo: Jerry Mouawad.

All in all, it’s another distinctive creation from Imago, Portland’s most enduringly, consistently inventive and surprising theater company. Originally planned as a one-act, the project grew into a longer play, necessitating a week’s delay in opening. That means this weekend and next offer the few chances to see this fascinating work.

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