PJCE’s concert February 19 at Hallowed Halls will spotlight the efforts of musicians and other workers for fair pay and working conditions.
The pronk quartet returns to live music, Oregon Symphony celebrates the “Rhapsody” centennial, Grammy-winner Cann performans a recital of Black women composers for PPI, Eugene Concert Choir releases their “Black is Beautiful” CD, and the Albina Community Archive goes live.
Two February performances of “My Words Are My Sword” will celebrate Black History Month and the memory of the long-time festival conductor, who died in September.
Punk, metal, jazz, and the Oregon School of Composition–just in time for the last Fee Free Friday of 2023.
The festival’s 20th anniversary edition mixes jazz legends with new generation beats drawn from electronic dance music, hip hop, and global rhythms.
Listening backwards and forwards to the trends and traditions which (we hope) will continue into the next year.
Multi-disciplinary ‘Glass Stories’ project leads the Portland jazz musician to other times, places, and art forms.
PCO commission ‘My Words Are My Sword’ pulls together poetry and music.
Strikes, unions, mega-corporations and the unpaid labors of love (with a tip of the hat to Bandcamp).
Brett Campbell gets down with the beat at home with a stack of recent Oregon jazz recordings.
Matthew Neil Andrews spots composers everywhere, and a jazz festival, too.
Give to our GROW FUND.
