jason elliott

Meaning and quality on a shoestring

Opera Theater Oregon's tribute to Guthrie and Hill features expressive performances and timely message

We all know a bit about Woody Guthrie, the 20th-century American social-justice troubadour. Apostles and adopters like Bob Dylan and Bruce Springsteen and Johnny Cash embraced and copied his music ad infinitum. During these 21st-century trying times, when social justice is taking a far back seat to greed and power-grabbing, why not celebrate Guthrie again?

Opera Theater Oregon’s This Land Sings: Songs of Wandering, Love and Protest took up the cause with an engaging production built on Michael Daugherty’s radio-show-style chamber opera Aug. 24 at Alberta Rose Theater. The house wasn’t sold out, but close enough. Scenery was spare, other than big-screen slides of the Dust Bowl and other Depression horrors, and costumes were non-existent—though conductor/OTO co-creative director/composer Justin Ralls wore suspenders. The outfits leaned toward muted country-folksy with a touch of  frontier vibe rather than showy or elaborate.

Opera Theater Oregon's 'This Land Sings.' Left to right: Daniel Mobbs, Lisa Neher, suspendered Justin Ralls, announcer Thom Hartmann. Photo by Michael Daugherty.
Opera Theater Oregon’s ‘This Land Sings.’ Left to right: singers Daniel Mobbs and Lisa Neher, suspendered conductor Justin Ralls, announcer Thom Hartmann. Photo by Michael Daugherty.

But the music? The singing? The conducting? The ensemble-playing? They were terrific and made up for any deficits in visual design. With this piece, OTO continues to fulfill its mission of presenting contemporary English-language works that shine a bright and piercing light on social, political and environmental issues. If you saw OTO’s 2017 Two Yosemites, composed by Ralls, then you know the group set a high bar for its mission and continues to pursue it with utter sincerity. (Read Arts Watch’s interview with Ralls here).

Continues…