Jason Rosenblatt

Watching (and talking) movies in McMinnville

Local filmmakers involved with the McMinnville Short Film Festival discuss the role of video stores, film festivals, and "This Is Spinal Tap" in their work

The 8th Annual McMinnville Short Film Festival was too big a meal to consume entirely last weekend, but I did get to a screening in the largest auditorium at Coming Attractions’ multiplex, which was pretty full Sunday afternoon. Between that and watching a few online, I caught about 15 of the record 50 films shown over two days. Only a few left me cold; most films — none longer than 20 minutes and many no more than 10 — were very good, and a few were excellent.

A complete list of this year’s films, nominations and winners can be found
here.

Festival organizers Dan and Nancy Morrow are friends, but I feel like I’m on solid ground in saying that the McMinnville Short Film Festival is a polished affair, organized by serious film-lovers who know what they’re doing. I hadn’t attended a film festival before (having a kid puts a damper on extracurricular stuff like that), but I was impressed with both the quality of the work on the screen and the informal, yet professional presentation. It is also encouraging to see a mainstream movie theater chain (Southern Oregon-based Coming Attractions, which runs many small-town theaters in Oregon and several other states) work with locals like this, handing over its largest screen for two days for a homegrown show. I hope to scoop up a bigger helping in 2020.

One of the weekend’s big crowd-pleasers was Sac de Merde. A barely 14-minute comedy about a young New York woman’s dating woes, it includes what is possibly the funniest and most outrageous sex scene I’ve ever seen in a film. Sac de Merde came from California, directed by Greg Chwerchak of Los Angeles. The film was nominated in five categories and received the festival’s top honor, the Grand Jury award, along with awards for directing and original short story, which was written by the trio of Chwerchak, Arielle Haller-Silverstone (who was also nominated for her acting in the film), and Gabrielle Berberich.

Arielle Haller-Silverstone was nominated for a Best Actress award for her work in the McMinnville audience favorite, “Sac de Merde,” which she also co-wrote.

He Calls Them All By Name, directed by Chad Sogas (who splits his time between Portland and Brooklyn, N.Y.) also impressed this year’s judges, garnering six nominations and winning in four categories, including: Best Actor (Ted Rooney), Best Sound Mixing (Noah Woodburn) and Best Editing (Katie Turinski). (The festival named two Best Actors; the second was Moussa Sylla in La Rage.)

Sogas’ film is an eerie piece centered on an intense confrontation between a tenant farmer and his drunk, gun-toting neighbor. Shot entirely outdoors at night, it was inspired in part by Flannery O’Connor’s Southern gothic short stories and films such as In Cold Blood and A Face in the Crowd. The story is pretty thin gruel that falls just short of being a complete enigma, but it clearly spoke to the political unease of the times. The technical skill on display, direction, and acting were outstanding. Greg Schmitt’s cinematography was extraordinary, and the film deservedly won for that as well.

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