Javier Iha Rodrígue

FearNoMusic/Cascadia Composers review: unbounded creativity

Music by contemporary classical Cuban composers displays sophisticated combinations of traditional influences and a distinctive sense of time

By CHRISTINA RUSNAK

American audiences embrace the dynamic rhythms and energy of Cuban jazz, with its variety of instrumentation and diverse percussion. But we are much less familiar, ignorant even, of the “classical” music tradition of the Cuban people through the 20th century into the 21st.

This limited view reflects Americans wider misperceptions of Cuba, which accentuates the country’s isolation, impoverished state, and personal restrictions. Images of antiquated cars and crumbling buildings mistakenly give some people the idea that a place with such difficult living conditions would be creatively limited.

FearNoMusic’s string quarter performed in Cascadia Composers’ ‘New Pearls from the Antilles’ concert. Photo: Matias Brecher.

FearNoMusic’s May 19 concert at Northeast Portland’s Temple Baptist Church, presented by Cascadia Composers, challenged such assumptions. And it even featured a distinctive musical element I miss in too many contemporary classical music concerts.

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