Jay Schwartz

 

Musicians from Classical Revolution PDX performed at Holocene in March Music Moderne

Musicians from Classical Revolution PDX performed at Holocene in March Music Moderne.

There are people who really like the mathematically determined music of the 20th century Greek-French composer Iannis Xenakis—more than just acknowledging its undeniable historical importance. There are also people, I am told, who enjoy being rolfed, walking barefoot across hot coals, participating in fight clubs, and being lashed by whips. I think these all must be the same people.

Enduring the relentless pummeling of the Portland premiere of Xenakis’s 1978 exercise in dissonance Ikhoor at Sunday night’s closing March Music Moderne, just after enjoying so many other concerts featuring young (and sometimes not-so-young) Oregon composers at the same festival revealed just how far midcentury modernism that MMM celebrates strayed from appealing to a broad audience — and how Oregon composers are leading the way in bringing music in the classical tradition back to its rightful, central place in the hearts and minds of anyone who loves music, not just the dwindling niche who dig discordance.

Continues…