Like a prayer: Fear No Music presents music from the late-Soviet and post-Soviet eras
Fresh as ever, the music of four women composers received a superb outing.
Fresh as ever, the music of four women composers received a superb outing.
The ninth annual day-long new music festival at PICA featured music by Crumb and Takemitsu alongside a clutch of Pacific Northwest composers that included Adams, Bunch, Johanson, Miksch, Svoboda, and Volness.
NMG 2023 acknowledged loss and celebrated recovery with concerts indoors and outside.
FNM’s recent concert at The Old Church celebrated 25 years of the Young Composers Project.
FNM’s Legacies 1 concert followed a throughline backwards, from YCP composer Nathan Campbell and Ukrainian-Swiss composer Victoria Poleva past Schnittke and Mahler to Brahms and Wieck-Schumann.
The annual mini-festival of contemporary music celebrated its eighth year with five hours of music at PICA, featuring compositions from across Latin America.
FNM performs music by Asian and Asian-American composers at The Old Church.
Looking forward to a wild summer where the masks start to come off and the concerts slowly start coming back.
This state is just crawling with composers, though you might not know it if you only go to Oregon Symphony and Third Angle concerts—just to arbitrarily pick on a pair of robust local organizations with rather different ideas of what constitutes classical
Kenji Bunch is either an oenophile or he’s been reading Jeff VanderMeer. The Fear No Music artistic director introduced the ensemble’s fifth annual Locally Sourced Sounds concert post-concert Q&A with a discussion of the somewhat esoteric term terroir, used to describe the
Story by MATTHEW ANDREWS Photography by Masataka Suemitsu Summer evening, Northwest Portland’s Vestas building, next to the Lego wind turbine. A box truck’s worth of vibraphone and xylophone and timpani and chimes and cymbals and crotales and tam-tams and on and on;
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