jessi walters

Dink’s Terrorgasm of a good time

Spectravagasm's driving passion: "No, no, no, let it out, man. People should be shouting. Art should be making people go crazy.”

Spectravagasm, Portland’s bastard step-child of the stage, is back! Spectravagasm, which is entering its second weekend at the Shoebox Theatre of a late-night run that continues through October 27, is an anarchic blend of theater, music, comedy, commentary, improvisation and audience participation. It’s been around for six years and is the last piece left from the theatrical meteorite that was Portland’s enfant terrible, Post 5 Theatre. This year’s offering is titled Terrorgasm and has absolutely nothing to do with terrorIsm. Spectravagasm’s resident mad scientist, Sam Dinkowitz, was thinking more about the season — Halloween — than about today’s headlines. “My dad asked me why I didn’t call it Horrorgasm and all I could say was, ‘Oh. Good question.’”

The terror in Terrorgasm is not necessarily the typical tropes of horror: werewolves, vampires, flesh-eating zombies and the like. Terrorgasm is about the real-life, everyday horrors as seen though a Halloween lens. “Of course, we’re afraid of turning into a wolf at a full moon or afraid of some demon that sucks your blood out or afraid of the living dead eating your flesh, but on a real, day-to-day basis we’re afraid of getting a ticket, or finding out our girlfriend’s cheating on us, or paying the water bill.” After all, who would you be more scared by if they showed up at your door? The Creature from the Black Lagoon or the IRS? If your answer is the IRS (and for most of those reading this, it is), then Terrorgasm is the show for you.

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