Jillian St. Germain

Darvejon Jones Dance Ensemble: Light and shadow

Darvejon Jones dances love and joy, but he understands the darker shadows, too, in his company's first concert

Ashley Roland, the co-artistic director of BodyVox, did the introductions for the first concert by Body Vox’s  resident artist and his new company, Darvejon Jones Dance Ensemble. “He emits extreme joy,” Roland said, almost as if Jones was a force of nature.

Roland’s observation held true as the company and Jones moved through the  program. But though joy rang out loudly in the virtuosity and pizzazz of the choreography and the dancers, there was shadow, too. Jones, whose work shared the eight-dance program with company dancers/artistic associate choreographers Brent Luebbert, Jillian St. Germain, and Sara Parker, transmits his account of the darker rumblings of American culture clearly as well.

Javan MnGrezzo and Paige Moreland in Darvejon Jones’ Allegiance/Annika Abel Photography

Think of this first concert as a sampler platter, perhaps: a little sweetness, then a helping of something more complicated. That’s how both Acts of the show played out. The sweet came first, then the longer commentaries of Parker’s The Reckoning and Jones’ Allegiance acted as closers, adding depth and social context to the evening.

Continues…

BodyVox dives for pearls

It's a high-risk gamble: Can a group of non-choreographers create a compelling evening of dance? BodyVox decides to find out.

Creativity is a mysterious beast. We try to lasso it and stick it in separate corrals: Writers here. Painters here. Composers here. Actors here. Dancers here. Git along, little dogies, but stay in place. Except creativity can also be a stubborn beast, with a will of its own, and sometimes it just doesn’t cotton to corrals.

That’s the underlying texture of the Pearl Dive Project, BodyVox’s series of short pieces choreographed by people who aren’t choreographers or even dancers, but who’ve distinguished themselves in other creative fields. How might their experiences as novelist, chef, painter, art director, photographer, or filmmaker translate when working with skilled moving bodies in a rehearsal hall and on a stage? What does creativity have in common across disciplines, and how is it specific to a single form of expression?

Brent Luebbert, not quite dead in Sherrie Wolf’s “Elegy.” Photo by Blaine Truitt Covert.

The idea’s novel, and risky, and also, in a way, simply a reflection of reality. Creativity does spill over. Victor Hugo and August Strindberg were great writers, and also visual artists of note. Comic actor Jim Carrey paints, provocatively. Albert Einstein played classical violin, by most accounts very well. Even politicians get into the act. Winston Churchill was an amateur painter. Harry Truman played piano. Bill Clinton plays the saxophone. George W. Bush paints.

Continues…