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‘The Passion of Yeshua’ preview: resurrecting the Jewish Jesus

Oregon Bach Festival presents the world premiere of American composer Richard Danielpour’s new oratorio, which puts the focus on the females in Jesus’s life

by CHRISTINA RUSNAK

Richard Danielpour first heard J.S. Bach’s St. Matthew Passion at the impressionable age of 17. The experience helped to confirm for him that he was “put on this earth to write music.” Bach’s Passion planted the seed. As a young man, Danielpour asked himself who Jesus really was and why we are still talking about him after 2,000 years.

Danielpour began seriously thinking about writing his own Passion 25 years ago. He waited until the time was right to create The Passion of Yeshua, which premieres this Sunday afternoon at the Oregon Bach Festival, which commissioned it. In this major new American composition, Danielpour reaches back to Jesus’s time to give us a more personal Passion that resurrects elements obscured by Bach’s interpretation, including the prominence of Jewishness and women in Jesus’s life.

Composer Richard Danielpour works with the Oregon Bach Festival chorus in preparation for the premiere of his ‘Yeshua Passion.’

Danielpour began writing the music in July 2016 and finished the full score for his Passion, which is set up in two parts of seven scenes each, in July 2017. This month, in two presentations to over 90 composers and performers participating in the OBF Composers Symposium and in an interview with ArtsWatch, Danielpour discussed the creation and musical structure of The Passion of Yeshua.

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