Johnna Adams

‘World Builders’ review: when worlds collide

Badass Theatre Company’s production of Johnna Adams’s play explores alternative mental universes before falling back down to earth

As the audience files in, Whitney and Max sit silently at opposite corners of the stage, lost in thought.

In fact, we soon learn they’re deeply immersed in their respective fantasy worlds — the condition that, Whitney informs us in relatively clunky blatant exposition, landed them both in this sterile patient lounge. As part of a research project they’ve been reluctantly enrolled in, they and the (unseen) other patients must take their prescribed experimental medication intended to eliminate their fantasizing — or face involuntary commitment to a mental institution.

Dunkin and Tidd in Badass Theatre’s ‘World Builders.’ Photo: Russell J. Young.

But what if they don’t want to give up their imaginary worlds? And even if the treatment works, how will these damaged people cope with mundane, messy reality?

That’s the provocative set-up for Johnna Adams’s World Builders, which Badass Theatre is staging through June at southeast Portland’s Shaking the Tree Theatre. It’s a fascinating concept and a promising play that offers tantalizing glimpses into alternative mental realities, before losing its way when reality returns.

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