Josh Deutsch

Safe distance sounds

A roundup of recent recommended Oregon jazz for your stay-at-home enjoyment

April is really the cruelest month this year. We haven’t gotten to appreciate jazz during this plague-plagued Jazz Appreciation Month in the way we should: by personally observing the spontaneous creation of the “sound of surprise” in a club or theater. So we indulged in the next best thing: listening to recent releases by Oregon jazz — and jazz-ish — musicians. You can do the same with any of the recommended recordings below by following the links.

Much of the music listed here involves at least some improvisation, making it ideal for this moment where we’re all making it up as we go. If you like what you hear, be sure to tip your servers — by paying for a download, supporting your neighbors who created that beauty, and thereby equipping your digital device with a musical survival kit for the next pandemic.

MAE.SUN
Vol. 2: Into the Flow

Saxophonist, flutist and composer Hailey Niswanger’s wanderings have taken her from her native Portland to New England’s prestigious Berklee School to Brooklyn and, now, Los Angeles. Her artistry has also found new territories, most recently in her electric band MAE.SUN, whose sunny, spacy new album, Vol. 2: Into the Flow, advances its predecessor, Inter-Be’s creative jazz/pop fusion/electronica and 2015’s groovy PDX Soul and joins the other pop-tinged LA-based bands bringing jazz into the 21st century. Still under 30, Niswanger always sounded fine in more straightahead jazz, winning praise from venerable jazz writer Nat Hentoff in the Wall Street Journal among others, but she’s really found an original voice in MAE.SUN.

Make that voices, because some of these tracks feature vocals, Niswanger’s own as well as guest singers Amber Navran (of Los Angeles-based soul trio Moonchild) and Australian-born, Brooklyn-based Kate K-S. The album also showcases vibraphonist Nikara Warren, guitarist Andrew Renfroe, keyboardist Axel Laugart, bassist Aaron Liao, drummer David Frazier Jr, synthist Jake Sherman and producer Drew Ofthe Drew. Fans of synthy fusion like Herbie Hancock and Charles Lloyd’s 1960s-‘70s forays, jazztronica explorations and even Esperanza Spalding’s more recent efforts will find plenty to enjoy in both volumes’ neo-hippie spirit. 

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