Josie Seid

Thanks, giving, the essence of art

ArtsWatch Weekly: Passing the artistic impulse into the future, Josie Seid's America, Don Latarski's wild art, remembering Bruce Browne

AS YOU MIGHT HAVE NOTICED, this week’s ArtsWatch Weekly is a day late (although not, I hope, a dollar short). Usually I start plotting out the column at the beginning of the week, try to get a little writing done on Tuesday and Wednesday, then finish it on Thursday. But this Thursday, of course, was Thanksgiving Day, and quite likely just like you, I was otherwise engaged in the kitchen and at the table, and had been for a couple of days beforehand. This may be the strangest year in our collective memory, and for many of us the oddest of Thanksgivings – what seems the core of the holiday, the gathering together, is precisely what we couldn’t do – and yet, despite the pandemic and teetering economy and social unrest and volatile politics, there was thanking to be done.

When I think about the holidays I think partly of the gifts the past has to offer the present and future: not the stultifying or outmoded aspects of tradition, but the liberating ones. What is good? How do we build on it? This sifting and measuring is intimately involved in the constant reshaping of our cultural and artistic lives: What do we appreciate in the past and present, and carry forward with us into the future?

Some artists embody in their work all three tenses, and looking through what’s happening in Portland’s galleries I note with pleasure and thanks that two of them have exhibitions on view. Both exhibits end on Saturday, so time’s running short, but you can also see the works through the links below.
 

George Johanson, “The Artist’s Studio,” 2020, oil and acrylic on canvas, 36 x 48 inches, in his show “George Johanson – Rising Waters and Quasi Portraits: New Paintings,” closing Saturday at Augen Gallery, Portland.

Continues…