Judith Barrington

Barbara LaMorticella: a woman of her words

From her Mime Troupe days to "Talking Earth," the Portland poet has been a potent force for writers. Now Soapstone gives her Bread & Roses.

On a recent Monday night a familiar voice returned to the airwaves of Talking Earth, KBOO community radio’s long-running interview show about poets and other writers and reading aloud. The voice was soft and conversational, confiding, helpful, gently guiding the talk into topics not usually considered on modern American radio: the structure of a poem, the ways that words and lives braid together, the themes that define a poet’s career. Five years after her last turn in the interviewing booth, Barbara LaMorticella was talking with her friend and fellow poet Judith Barrington about life and loss and language and Barrington’s newest book of poetry, Long Love.

LaMorticella, who has interviewed hundreds of writers on KBOO beginning in the 1980s, had taken a break from the studio for personal reasons. She was caring for her husband of 56 years, Robert (Roberto), who died last year, and the Talking Earth interview was something of a reemergence into public life. That fact was delivered with an exclamation point a few mornings later when I met in a Southeast Portland bakery with Ruth Gundle of Soapstone, the women’s literary organization, which has named LaMorticella the first recipient of its biannual Soapstone Bread and Roses Award. Meant to honor a woman writer who has created opportunities for other writers and helped sustain the writing culture in Northwest Oregon and Southwest Washington, the award, which includes a $500 check, will be presented at a private luncheon on March 8, which not coincidentally is International Women’s Day. “We wanted to honor women who’d been here over the long haul, who’d been mainstays of the literary community,” Gundle said. “Barbara was the obvious choice.”

Two days after talking with Gundle I met with LaMorticella in a Northeast Portland coffee shop near her daughter’s house, and there was that voice again: warm, earnest, smart, almost always with a touch of humor near the surface. It reminded me that although we usually read poetry and therefore think of it as a literary art, it is also oral and musical, and so ideally attuned to live performance or the radio dial. “Poetry is an audible art. Or should be,” LaMorticella commented. “When I finish a poem I always read it out loud. And if it doesn’t work out loud, I change it.”

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Barbara LaMoricella, up close.

In the KBOO studio LaMorticella took the long view of a life in words, going back to Barrington’s childhood in Brighton-on-the-Sea, England, and surprising her audience with stark revelations delivered in the most congenial of tones, underlining without having to say so directly that personal history shapes a writer’s art. Barrington was born in wartime, she informed her listeners, “… into a bombing raid, and … you were born into a world which in one poem you said, ‘This is the world I came in, and I have to learn to love it.’”

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Benvenue Trio preview: Viennese action

Historically informed trio debuts an important addition to Oregon's classical music scene

by ALICE HARDESTY

April marks the debut of the Portland Baroque Orchestra’s newest member: the Ruth Rolt fortepiano. Its player is Eric Zivian of the Benvenue Trio, whose other members are violinist Monica Huggett (also PBO’s artistic director) and PBO cellist Tanya Tomkins.

The fortepiano brings an important addition to Oregon’s music scene. It’s a rarer — and to many ears, more precious — keyboard instrument than its modern successor. “If I had my way, they wouldn’t have extended the development of the piano past 1850!” Monica Huggett told Vancouver Classical Music. “A fortepiano or a period piano (such as an Érard or Broadwood) balances so well and allows all the primary colors of the music to surface.” And Zivian says the fortepiano has more character than the modern piano.

Benvenue Fortepiano Trio performs Friday in Portland. Photo: Sisto Flores.

The Ruth Rolt fortepiano allows PBO to bring repertoire that Oregon has rarely heard before. For example, PBO will include in its next season one of Mozart’s last piano concertos played by Zivian on the Rolt fortepiano. This Friday, April 6, the Trio plus its new member will perform works by Mozart, Haydn, Hummel, and the Hungarian composer Józef Koschovitz at Portland’s First Baptist Church.

William Rolt and Portland poet Judith Barrington donated the Ruth Rolt fortepiano to the Portland Baroque Orchestra, in memory of his mother and her sister, respectively. Poet, memoirist, writer, and teacher Barrington, who could be considered the fortepiano’s aunt, is well known to the Oregon literary community, but not many Oregonians know about her late sister the concert pianist. You could say that love brought this precious instrument to Oregon — a pianist’s love for early classical music, for this instrument’s special qualities, and for Oregon.

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