Kelsey Tyler

Surviving the Baby Wars

CoHo's "Luna Gale" chronicles a volatile and exhilarating custody battle

There is a moment in CoHo’s astounding new production of Rebecca Gilman’s Luna Gale when a mother learns a stomach-churning secret about her daughter. Yet she doesn’t scream, shake her first or exclaim that it can’t be true. She simply freezes as still as a photograph.

That is what it feels like watching Luna Gale. Gilman’s story of a brutal custody battle in Cedar Rapids, Iowa, may not be soothing, but in the hands of director Brandon Woolley and his ferociously committed cast, it is spellbinding. Together, they embrace not only Luna Gale‘s power to provoke, but also the fact that it is entertainment in the best and brashest sense of the word—a roller coaster of a play packed with twists that could have made a Sixth Sense-era M. Night Shyamalan howl, “Why didn’t I think of that?”

Sharonlee McLean, “a force of unearthly brilliance” in “Luna Gale.” Photo: Owen Carey

The first hairpin narrative turn arrives in the opening scene, where we meet a young couple, Karlie and Peter (Shannon Mastel and Jacob Camp). With her black nail polish, ripped jeans and James Dean-style bellowing, Karlie looks like a teenager fuming in the principal’s office. However, we quickly learn that she and Peter are immersed in all-too-adult crises. Not only are they meth addicts, but they are also in danger of losing their baby daughter Luna to Karlie’s mother, Cindy (Danielle Weathers, who also co-produced the show), an evangelical Christian who hides her vindictive spirit behind touchy-feely declarations like “The thing about Jesus is that he always gets results.”

Continues…