Kevin Walsh

MusicWatch Holidays: Auld lang syne

Wring the last drops of joy from 2019 with punky, funky, trippy New Year's Eve concerts

New Year’s Eve, like Death, is the great equalizer. We all celebrate the solstice-adjacent holidays differently–Christmas, Kwanzaa, Yule, Festivus, Hogswatch, and so on–but those of us who follow the Gregorian calendar all come to the end of 2019 at more or less the same time. As we look back on one crazy year and look forward to another that promises to be just as bonkers, we’re reminded that we’re all stuck in this Weirdest Possible Timeline together.

So now that the presents have all been opened and the grievances have all been aired, it’s time to kill the fading year’s unfulfilled hopes and dreams and plant them in the dark soil of the coming year, where they will either germinate and bloom or get eaten by squirrels.

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Bach Cantata Choir: Baroque Christmas

Choir pairs choral-orchestral classics by Schutz and Bach

By BRUCE BROWNE & DARYL BROWNE

The pairing of German Baroque music pillars Heinrich Schutz and Johann Sebastian Bach is a treat any time. But at Christmas, programming the Weihnachtshistorie (Christmas Story) of Schutz with the Bach Magnificat – brilliance. The weekend before Christmas, Portland’s Bach Cantata Choir gave us both pieces: the Christmas Story, served two ways.

Bach Cantata Choir performed Christmas music by J.S. Bach and Heinrich Schutz. Photo: Ric Getter

Ralph Nelson directed these major Baroque works by the two great German geniuses, one representing the early part of that music period (1660) and one the later (1723). Despite their similarities — both use strings, winds, continuo, choir and vocal soloists; both are bookended by chorales (in their current forms) — it’s the differences between the two that make the program pairing so enticing.

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