Kris Hargis

Art: new images for a new year

The first First Thursday of 2017, and other January visual arts events

Well, we pretty much got out of 2016 with the shirts on our backs, and suddenly here we are in a fresh new year.

January brings some intriguing visual art possibilities, including a major retrospective on Oregon master Louis Bunce (1907-1983) opening Jan. 21 at the Hallie Ford Museum of Art in Salem. On the same day in Eugene, the Jordan Schnitzer Museum of Art opens Sandow Birk: American Qur’an, a visual exploration of how the Muslim holy book intersects with American life. On Jan. 17 the Ronna and Eric Hoffman Gallery at Lewis & Clark College opens youniverse: past, present, future, by veteran Portland artist Tad Savinar, focusing on works conceived in Florence, Italy, in 2014 and 2016 and on prints, paintings, and sculpture from 1994 through 2011.

And the Portland Art Museum has several things coming up this month to help fill the Andy Warhol void: Rodin: The Human Experience, a show of 52 bronzes opening Jan. 21; Constructing Identity, a major look at the work of contemporary and historical African American artists from Henry Ossawa Tanner to Faith Ringgold and beyond, opening Jan. 28; and the Portland Fine Print Fair 2017, which brings together offerings from 20 top dealers, and which the museum hosts Jan. 27-29.

MORE IMMEDIATELY, THURSDAY is the first First Thursday of the art-gallery year, and galleries across town will be opening new monthly shows. (Some have holdovers, or different opening dates.) Here are a few shows that have caught our eye. There’s lots more, so get out and explore on your own:

Carl Morris, “Voyage Unknown,” 1946, oil on canvas, 52 x 32.5 inches. At this point his art is moving away from figurism but not yet into the abstract expressionism for which he’s best known. Photo: Russo Lee Gallery

The iconic Oregon artist Carl Morris (1911-1993) has a show at Russo Lee Gallery, sharing space with Alex Hirsch. Morris moved from WPA-style murals (the Eugene post office) to his own form of earthbound abstract expressionism that kept vital touch with the mysteries of the Northwest landscape. Morris was at once regional and wise to the movements of the international art scene, and this exhibit covers roughly 50 years of development.

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