Kristian Bezuidenhout

Being the song

Anne Sofie von Otter and Kristian Bezuidenhout show Schubert’s classical roots at Friends of Chamber Music concert and masterclass

By KATIE TAYLOR with contributions by SUSAN HARRIS

When pianist Kristian Bezuidenhout launched into the fourth and final song in Swedish mezzo soprano Anne Sofie von Otter’s opening Mozart set at her Friends of Chamber Music Vocal Arts Series recital last week, I thought, “that sounds like Schubert.” With its rolling arpeggios, Mozart’s “An Chloë” irresistibly brough to mind Schubert’s “Das Wandern,” which opens his famous song cycle Die schöne Müllerin. That wasn’t an accident.

This beautifully crafted program began with Mozart, progressed seamlessly into Schubert through a classical lens and ended with Schubert’s romantic side. The effect worked in both directions, revealing intriguing hints of a view forward to early romanticism in late Mozart and showing Schubert’s classical roots with a clarity that was wholly surprising to a listener accustomed to the more barn-burning approach many singers take to his songs. 

The program made a side trip midway to listen in on Schubert’s Swedish contemporaries, Adolf Fredrik Lindblad and Franz Berwald, and von Otter’s lyrical art song sets were thoughtfully interwoven with solo turns by Bezuidenhout.

The pairing of singer and accompanist couldn’t have been more perfect. Both artists combined relaxed, spontaneous delivery with meticulous attention to detail and delivery that was never anything less than divinely subtle.

Anne Sofie von Otter and Kristian Bezuidenhout at Friends of Chamber Music concert October 2019. Photo courtesy of FOCM.
Anne Sofie von Otter and Kristian Bezuidenhout at Friends of Chamber Music concert October 2019. Photo courtesy of FOCM.

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