Lisamarie Harrison

Hughes Heaven

Staged!'s teen musical "John Hughes High" is pure '80s gold

There’s a moment in Staged!’s new musical John Hughes High when a teenage girl realizes she’s falling in love. Yet the object of her affection is not one person—it’s a school packed with loners, leaders, artists, athletes, and plenty of kids who haven’t quite figured out what they are.

Nerd City: Aidan Tappert, Brendan Long, Martin Hernandez in “John Hughes High.” Photo: David Kinder

That moment is proof that the creators of John Hughes High, Mark LaPierre and Eric Nordin, understand that while Hughes had a sense of humor about high-school heartaches (who doesn’t laugh when Jon Cryer gets chucked into the girls’ bathroom in Pretty in Pink?), he did his young characters the honor of taking their emotions and desires seriously. John Hughes High (which is enjoying its world premiere on the Alder Stage at Artists Rep) does the same, and as a result, the rapidly beating heart of its heroine briefly becomes yours.

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Portland Mini Musical Festival review: brief encounters

Fertile Ground Festival musical showcases benefit from focus on relationships

It’s hard enough to produce believable character relationships in a full length musical, what with the characters breaking into song and dance in the midst of their encounters. Yet even in under 15 minutes each, most of the six short works in this year’s edition of the Portland Mini Musical Festival at downtown Portland’s Brunish theater managed that difficult trick, mostly by focusing on a single relationship each.

Raimer and Carver in ‘Work Friends.’ Photo: David Kinder.

Work Friends, the most thoroughly successful of the lot, showed how even in just a few minutes, deftly drawn characters can evoke real sympathy — all while singing and dancing. Aubrey Jessen’s touching and hilarious office bromance earned genuine guffaws for its beautifully blocked cubicle dance, Jessen and composer Mont Chris Hubbard’s uproarious lyrics, and a winning, multifaceted (singing/dancing/acting) performance by Collin Carver. Kurt Raimer and Courtney Freed also excelled. An office worker longs for a closer connection to his charismatic but oblivious office mate, but doesn’t know how to make it happen— until an eavesdropping colleague stages a welcome intervention.

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