Livin' in the Light

Looking for light, packing a punch

Fertile Ground 2021: In the brief but powerful "Livin' in the Light," opera singer Onry seeks a space for a Black man to breathe

One morning last June, the opera singer and multi-hyphenate artist Onry could not get out of bed. Amidst the summer’s Black Lives Matter protests, Onry says, “I, like so many other African Americans, had a moment. I was afraid, both for my life and for what the world would think of me and view me.” This impasse, Onry recalls, led him to the realization that “I was living in the truth of others versus living in the light of myself.” 


ONLINE FESTIVAL: FERTILE GROUND 2021


Livin’ in the Light is the title of Onry’s film, which premieres on Saturday, Feb. 6, as part of Fertile Ground’s 2021 online festival of new works. Directed by Hannah Hefner, the short film is a stunning musical journey of self-actualization. It opens on Onry in a cloistered world, which seems to be constructed from dark pink cloths—rays of sunlight are trying to break through. Soon the scene shifts to the outdoors. “A river, a giant field, a forest,” Hefner says, “Each has these particular heavy and beautiful and romantic physical qualities.”

Onry moves through these spaces as if in search of an unknown destination. We see him running his hands through the grass, pausing to admire wildflowers, sprinting through the woods. A chorus sings background to Onry’s solo, (My soul never burned so damn bright / I wanna be livin’ in the light). Eventually, Onry returns to the same closed space from the beginning, but now he’s changed. He looks directly into the camera. He inhales and exhales, his breaths deep and certain. 

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Oregon ArtsWatch