long form improv theater

Revolutionary theater at Deep End

With "Raising Coen," Domeka Parker’s Buckman neighborhood theater company is pushing the limitations of what Improv can be.

By CHRISTOPHER GONZALEZ

From new dramatic forms, to teaching philosophy, to administrative structure and beyond, Deep End Theater is revolutionary theater in all aspects. Led by the indomitable Domeka Parker, this Portland ensemble is changing the perception of what improv is capable of.

Raising Coen is Deep End’s newest improvised play, based on the Coen Brothers’ movies. It is a remarkable piece of long form improv that triumphantly traverses the realm of what we normally think of as Theater with a capital T.  After all, aren’t we tired of going to comedy clubs and laughing halfheartedly at impatient displays of wit and cheap punchlines? We don’t often feel irrefutable pathos, genuine suspense, or palpable horror, do we?

Well, Deep End Theater, which opened in May 2017 in Southeast Portland’s Buckman neighborhood, is no comedy club.

At Deep End, comedy and improv move beyond jokes. Photo: Ken Bryan

Raising Coen elevates the form of improv by inviting us to lean in and explore the integrity of a character’s core values. The dramatic investigation of core values is pertinent now more than ever, as the ethical integrity of our country is so deeply in question. There are so many people on the right and the left politically that are locked to their core values and we thought about how interesting that is,” Parker says. “And then we thought, the Coen brothers write characters like that. Characters that believe so strongly in values like honesty that it drives everything they do and gets them into all kinds of messes.”

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