marginal consort

Marginal Consort: sound and silence

Japanese ensemble’s Portland performance focuses more on improvisatory process than musical product

By LUSI LUKOVA
Photos by Taz Coffey, courtesy of PICA

The performance began simply enough, with Marginal Consort’s Kazuo Imai using a giant sheet of paper to break the silence and commence the one-night-only concert at the Portland Institute for Contemporary Art (PICA), like a gun fired to set off a race.

Kazuo Imai playing the paper snapper at Marginal Consort’s January concert at Portland Institute for Contemporary Art.

In a workshop the previous night, Imai taught the simplicity of creating what they’ve dubbed “the paper snapper” out of mundane craft paper. Once built, we were all asked to “snap” our instruments unabashedly. The cacophony that this produced, the varying tones based on the strength and speed of each snapper built up to an eruption like fireworks on the Fourth of July. Opening the January 23 concert with this definite sound subdued any conversation, and focused all attention on the four members of Japan’s renowned musical ensemble.

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