Martha Lee

In the Frame: Eleven Women

In photographic portraits, K.B. Dixon captures the essence in black and white of eleven people who've helped shape Portland's creative soul

Not too long ago I published a piece titled In the Frame: Eleven Men, which included portraits of eleven men. This is the second part of that In the Frame project: eleven women. As with the first installment, the faces here are those of talented and dedicated people who have contributed in significant ways to the character and culture of Portland, people who make this city what it is, people whose legacies are destined to be part of our cultural history.

Why eleven? I originally answered this question jokingly, saying “why not—it was the atomic number of sodium, the number of players on a football team, the number of thumb keys on a bassoon.” I suggested this capricious choice was some sort of salutary exercise, a confrontation with a personal bias in favor of symmetry. It was, in fact, the product of capitulation—of surrender to a troublesome temperament. The return to the number eleven here is simply a nod to this serendipitous template and to equity.

As with the previous set of portraits, I have tried to produce first a decent photograph—a truthful record, one that honors the unique strength of the medium. I have tried also to produce one that is more than just a simple statement of fact, one that preserves for myself and others a brief glimpse of the being behind the image. These are not formal portraits, but casual ones—portraits that offer, I hope, some of the authentic intimacy that only a guileless reality affords.

 


Barbara Roberts

 

First woman to be elected Governor of Oregon; Associate Director at Portland State University’s School of Government Executive Leadership, and Member of Portland’s Metro Council.

Continues…

And suddenly it’s October. Among other things – pumpkin patches, Yom Kippur, the World Series, Halloween – that means we’re two days from First Thursday, Portland’s monthly gallery hop of new shows. This week’s visual art calendar is a doozy, from open studios to Warhol with lots between.

A few of the highlights:

James Lavadour Ruby II, 2016 oil on panel 32" x 48"

James Lavadour, “Ruby II,” 2016, oil on panel, 32″ x 48.” PDX Contemporary.

James Lavadour at PDX Contemporary. It’s always a good day when new work by Lavadour, the veteran landscape expressionist from Pendleton, comes to town. This show, called Ledger of Days, furthers his exploration of the land and its mysteries. “A painting is a structure for the extraordinary and informative events of nature that are otherwise invisible,” he writes. “A painting is a model for infinity.” Lavadour is also one of the moving forces behind Pendleton’s innovative and essential Crow’s Shadow Institute of the Arts, which celebrates its 25th anniversary next year. Watch for what’s coming up.

The new Russo Lee Gallery: 30 years. What you’ve known for years as Laura Russo Gallery is celebrating three decades with a showing of new work by its distinguished stable of artists – and with a new name. The name is a fusion of the gallery’s long tradition and current reality. After founder Laura Russo died in 2010, her longtime employee Martha Lee bought the business and continues to operate it. This show promises to be a statement of sorts, and will have a catalog available.

Continues…