DramaWatch: Knocking back a couple of pints with Roddy Doyle
Third Rail Rep bellies up to the Irish writer’s “Two Pints.” Plus: A Lebanese solo show, an annotated “Merchant of Venice,” openings and last chances.
Third Rail Rep bellies up to the Irish writer’s “Two Pints.” Plus: A Lebanese solo show, an annotated “Merchant of Venice,” openings and last chances.
Some thoughts on theater etiquette, on ideas about race and cultural preference, and on what shows to see this week in Portland.
Once upon a time I had a dream about the Drammys. I don’t mean dream as in a sleepytime movie, but rather a hope, a wish, an ideal of a future. When I first began to care about the Drammy Awards, the
“Othello’s rich, but she keeps me poor And now it’s time to settle the score She never lets me get my foot in the door And this is why I hate the Moor!” OK, so it ain’t exactly Shakespeare. But of course,
It’s hard enough to produce believable character relationships in a full length musical, what with the characters breaking into song and dance in the midst of their encounters. Yet even in under 15 minutes each, most of the six short works in
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