Matthew Sunderland

Ch-ch-changes, good and bad

In review: Triangle Productions' "TRANS-formations" and "The Madness of Lady Bright"; Twilight Theater Company's "Antigone"

From the moment Matthew Sunderland steps onstage at The Sanctuary in Donnie’s new play TRANS-formation you sense you’re going to be in for an interesting ride. Sunderland stars as George/Christine in this 70-minute drama about the transsexual pioneer Christine Jorgensen, and the way he wraps himself around the story of this fascinating true-life character is impressive: his clear sharp tenor voice, masculine but not entirely; his body language, so firmly between; his immediate link with the audience, forged by the urgency to tell his tale.

Matthew Sunderland as George/Christine Jorgensen. Photo: David Kinder/Kinderpics

And what a tale. Donnie (the pen name of Donald Horn, who is also director, scenic and sound designer, and producer through Triangle Productions, the company he founded in 1989) has done his homework and assembled a smart, deeply informed play about Jorgensen, concentrating on the young Army veteran’s decision to undergo sex-change surgery and become a she. It’s a taut tale, with just two other actors, both of whom also are superb: Jacquelle Davis as Jorgensen’s sister Dolly (with a cameo as a schoolteacher with a mean streak) and Mark Pierce as Dr. Christian Hamberger, the Danish endocrinologist who made the transformation happen. Both Dolly and Dr. Hamberger have very human and natural friendships with George/Christine, and that’s crucial to the play’s success. The doctor talks science. George talks feelings. Out of their creative collaboration, Christine is born.

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