McKenna Twedt

‘Taming’ and the Wonder Women

A farce, a satire, a women's play about politics: Mariel Sierra and company talk about producing Lauren Gunderson's "The Taming" at CoHo

Two years ago Donald Trump became president, and whatever else happened, everybody knew the world would never again be the same. Lines were drawn in the sand. The world convulsed in massive protests. People who avoided politics like the plague found themselves looking for any way to get involved, to make a change, to act.

For someone like Mariel Sierra, a theater artist who considers herself an activist within her field, the 2016 election was a moment of self-reckoning. “How do I fix it?” she asked herself. “How do I problem-solve, what is the active thing I can do?” The action turned out to be theater. Nationally renowned playwright Lauren Gunderson waived the fees for the rights to her plays on Jan. 20, 2016 for anyone who wanted to do a staged reading.

“The Taming”: politics, farce, and satire at CoHo.

Sierra had met Gunderson in Portland in 2015, when Profile Theatre had staged a reading of Gunderson’s play The Revolutionists (which is being produced at Artists Rep this season), had been in contact with her via social media, and found she “really liked her work and her voice as an artist.” So when the announcement about waiving the royalties came down, Sierra was ready. “I immediately texted, called, corralled Lauren Bloom Hanover, McKenna Twedt, Katie Watkins and Lindsay Huff and asked them if they wanted to do this with me. I was still working with (Portland director) Asae Dean at the time, so we got the rights through Salt and Sage,” Dean’s production company.

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