metoo theater

Take a letter, kill a lumberjack

At Profile, just what the world needs right now: a comedy about a cult of chainsaw-wielding killer secretaries (social commentary included)

These are not your grandfather’s secretaries. Unless, of course your grandfather was a lumberjack in the fictional town of Big Bone, Oregon, in the 1990s. In that case, the women at the center of this latest Profile Theatre production very well could have known, worked with, and possibly murdered your grandfather.

Secretaries, the play, was born from the fruitful minds of the Five Lesbian Brothers playwright collective (Maureen Angelos, Babs Davy, Dominique Dibbell, Peg Healey, and Lisa Kron, who is one of Profile’s featured playwrights this season and the reason this show is being mounted by Profile). There are so many reasons to put on a play like this one, right now, and director Dawn Monique Williams homes in on those reasons with her skillful focus and expert direction.

Profile Theatre’s “Secretaries”: the office dead pool. Photo: David Kinder

For starters, there is the #MeToo movement: Women are freer to stand up and speak out about mistreatment – at least more than lumber mill secretaries in an Oregon timber town in the ’90s. The women depicted here were not free to do much: they couldn’t have sex or even eat solid food (strictly SlimFast diets all around, of course). But they took matters into their own hands once a month by murdering a lumberjack. The play centers on new secretary Patty (Claire Rigsby, a newcomer to Portland stages, who exudes the youthful naivete and excitement the role needs). Patty is so happy to be welcomed by the other secretaries, but she slowly starts to realize there’s something strange going on here.

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