Museum of Glass

ArtsWatch Weekly: Thanks again

On a day of sharing, we talk about giving and receiving, and then dig in to Oregon's lavish cultural banquet: the arts beat goes on


TODAY IS A DAY OF GIVING THANKS, HOWEVER YOU CHOOSE TO DO SO. Here at ArtsWatch, some of us are on the road, traveling to visit family. Others have already reached their destinations. Some are hosting dinners or meeting with friends. Some are already busy in their kitchens, chopping and baking and simmering and laughing and preparing for a grand meal. We imagine you’re doing much the same. Some of you might even be busy in soup kitchens or food pantries, helping to cook and serve a good hot meal for people who don’t always get one. Some of you might be in line, waiting. 
 

Childe Hassam, Oregon Stlll Life (detail), 1904, oil on canvas, 25 x 30.25 inches, Portland Art Museum. Gift of Col. C.E.S. Wood in memory of his wife, Nancy Moale Wood. (On view in Belluschi Building; the museum is closed on Thanksgiving Day.)

Oregon is a land of bounty, as Childe Hassam’s delicious painting above from more than a century ago attests. Enjoy, share, and nurture it. Revel in its natural and creative wonders. Be generous. In a time of division and antagonism, help make it a place for everyone. Happy Thanksgiving to you. And thanks for being part of ArtsWatch. We’re here thanks to you.  

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Art on the Road: Transparency in Tacoma

An LGBTQ+ glass art exhibition at the Museum of Glass is a celebration, a memorial, and an unveiling


STORY AND PHOTOGRAPHS BY FRIDERIKE HEUER


“One can resist [oppression] only in terms of the identity that is under attack.” – Hannah Arendt Men in Dark Times, 1968.

The title alone made me curious. Was Transparency a less than original descriptor of works made of glass? Was it an absolutely clever pointer redressing the invisibility of members of the LGBTQ+ community, who were the sole artistic contributors to the current exhibition of that name at the Museum of Glass (MOG) in Tacoma? Was it an invitation to shine the light on preoccupations and concerns of this particular community, only to reveal that these are often shared by us all, no matter what community we identify with? Was it a play on the fact that transparency is successfully used for purposes of camouflage in nature, as exquisitely demonstrated by jellyfish, South American glass frogs and clear wing butterflies?

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