nancy moss

FG reviews: Staging history

Cottonwood in the Flood, Deception, and One Weekend in October dramatize racially charged moments.

This year’s Fertile Ground Festival offered several plays relating to race and history. I caught readings of three of them, each in a different stage of development. All three show promise, as well as flaws that are easier to spot once they’re actually read before an audience — a prime reason Fertile Ground is so valuable.

The terrific cast of Rubin's Cottonwood in the Flood.

The terrific cast of Cottonwood in the Flood.

Cottonwood in the Flood

The story of a mid 20th century African American family that moves from south to north and deals with the challenges of social, economic, racial and even geographical change — it sounds like an ideal set up for an August Wilson play, if the longtime Seattle based playwright had written about the Northwest he migrated to instead of the Pittsburgh he grew up in.

Wilson liked to write about how place changes over generations, and Vanport, Oregon — the site of Portland playwright Rich Rubin’s Cottonwood in the Flood and the aforementioned fictional family’s struggles — existed for only six years, before succumbing to the great flood of 1948, and becoming, along with Celilo Falls, Oregon’s Atlantis. It proved an eventful stretch, both militarily (with workers churning out important components of America’s World War II arsenal), and socially, as a de facto experimental precursor to racial integration.

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