Nicola McCartney

A lifeline in troubled times

An energetic "Three Sisters" at Northwest Classical and a "Lifeboat" from disaster at Corrib ride the rough waters of a world out of tune

It’s a clumsy thing, this Three Sisters, chafing and halting and bumping into itself, tripping over its own feet, taking pratfalls, landing on all the discordant notes. And that’s a good thing.

Anton Chekhov’s great play, as it’s being performed in the tight little corners of the Shoe Box Theater by Northwest Classical Theater Collaborative, is all about the clumsiness of the human soul, the way things don’t connect, the abruptness and disconsolation of yearning and desire, the matter of enduring even when life seems unendurable, the way that people seem compelled to snatch unhappiness from happiness’s jaw. Like life itself it’s sometimes funny and sometimes foolish and sometimes heartbreaking, and to get inside such essential truths it takes on a bumptious, jangling rhythm, like a Bartok or Stravinsky or Ornette Coleman score. Things don’t fit – or they do, but not the way you expect – and that’s the glory of it all.

Dainichia Noreault as Irina, Elizabeth Jackson as Masha, Christy Bigelow as Olga in “Three Sisters.” Photo: Gary Norman

This production is Patrick Walsh’s baby — he directs and co-produces and adapted Chekhov’s script — and it’s something of a triumph. Chekhov and his great director Stanislavski used to argue about the nature of his plays. They’re comedies, Chekhov insisted. They’re tragedies, Stanislavski replied. Walsh’s production reveals Three Sisters as something beyond both: funny and tragic and existential to its core; a play beyond summation, an immersion in the chaos of life, a place where love is everything and everything isn’t enough.

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